• Home
  • About
    • Performance Monkey
    • David Jays
    • Contact
  • Other AJBlogs
  • ArtsJournal

Performance Monkey

David Jays on theatre and dance

Sniffing around

March 10, 2009 by David Jays 2 Comments

We often think about sound and vision in theatre – but what about smell? I saw a cracking first play at the Royal Court Theatre last night – A Miracle by Molly Davies, set in rural Norfolk, the arable corner of eastern England. The audience sat on all four sides of a small stage, which was floored with damp mud, scrubby bits of grass and a mess of fallen leaves turning to sludge by the roundabout. But the most distinctive thing about Patrick Burnier‘s set wasn’t the immediate sense of place, or the fact that your bag got smeared if you put it on the floor. It was the smell – a dank loamy scent that settled into your lungs with the heavy air of rural misery.
As the sharp little play continued, man handing on misery to man (or, more pertinently, mother to daughter), the moist depressed air seemed to hang about, immersing us in the characters’ flat world under big grey skies.
It’s this total immersion experience that scent in the theatre can encourage. Food of course plays a big role, especially when characters are cooking on stage. Saturday Sunday Monday by Eduardo de Filippo triumphed at Olivier’s National Theatre in 1973 in a production by Zeffirelli, its raucous Italian family cooking up an alla marinara storm and making stomachs rumble. In a less affluent age, audiences responded powerfully to Terence Rattigan’s Separate Tables (1954), set in a genteel beachfront hotel. It wasn’t just the play’s staunchly suppressed passions that provoked a whimper. The experience of rationing was still very current, so reviews marvelled longingly at the waft of hot toast coming from the dining room.
Of all the stage smells I’ve experienced, the one I best remember was in a fine production of Euripides’ The Phoenician Women, directed by Katie Mitchell for the RSC. As we took our seats, everyone was handed a sprig of thyme, and as the tale of brutal war and human sacrifice developed, we clutched our sprigs tighter. In our hot, anxious hands, the pungent scent of the crushed herb rose and filled the theatre – wild, acrid, plangent. An unforgettable effect.
Do you remember a scent that enhanced your stage experience? Let me know your best theatrical whiffs…

Filed Under: Uncategorized

Comments

  1. Tim Watson says

    March 11, 2009 at 8:40 am

    At a production of Lieutenant of Inishmore in the Pit the stage ended up bathed in blood. The smell, Golden Syrup

    Reply
  2. Performance Monkey says

    March 11, 2009 at 10:07 am

    Tim, how fantastic is that. Sweet, sticky, cloying: it’s bloodlust in a tin…

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

@mrdavidjays

Tweets by @mrdavidjays

Archives

Recent Comments

  • Veronica Horwell on Hamilton | Lockdown Theatre Club 17: “Know what you mean about the underpowered pre-17late90s shoulder: a bottle slope approach to body outline — the Hamilton coats…” Jul 8, 13:41
  • Sarah Lenton on Hamilton | Lockdown Theatre Club 17: “Blimey. A tour de force! Hugely enjoyable. Slight demur on whether a period raised fist would have produced a scrunched…” Jul 7, 21:44
  • william osborne on Hamilton | Lockdown Theatre Club 17: “An article that analyzes the serious problems with “Hamilton” by Ed Morales, a journalist and lecturer at Columbia University’s Center…” Jul 7, 20:20
  • william osborne on Hamilton | Lockdown Theatre Club 17: “Indeed, in the late 18th century people learned that properly toned-down attire was important for slave owners proclaiming democracy. And…” Jul 7, 19:28
  • David Jays on Bringing Up Baby | Lockdown Theatre Club 16: “Hello Ana, and thanks so much for this. Joining in is, I hope, easy: we all find the film on…” Jul 3, 16:02
March 2009
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  
« Feb   Apr »

An ArtsJournal Blog

Recent Posts

  • Hamilton | Lockdown Theatre Club 17
  • Bringing Up Baby | Lockdown Theatre Club 16
  • The Go-Between | Lockdown Theatre Club 14
  • Girlhood | Lockdown Theatre Club 13
  • All That Jazz | Lockdown Theatre Club 12

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in