Nominations for Britain's glitziest theatre awards, the Oliviers, have been announced, and Guardian theatre critic Michael Billington is chafing at some omissions. In particular, he feels that Gethsemane, David Hare's new play at the National Theatre, has been neglected. There are a zillion things wrong with awards and their randomised outcomes, but on this point Billington seems pretty much alone … [Read more...]
David Jays on theatre and dance
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