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Jean Lenihan: dance and other movements

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NOW Festival 2015 at REDCAT

July 31, 2015 by Jean Lenihan

Zac Pennington

NEW ORIGINAL WORKS (NOW) FESTIVAL REDCAT Theater, Los Angeles Program One July 30 - August 1   What are you doing for the next three weeks? This year’s edition of REDCAT’s 12th annual New Original Works Festival (NOW) looks to be a colorful debutante ball, with several stunning Cinderella arrivals in the mix. In three program … [Read more...]

My Lunch with a Billion-Dollar Tour Director

January 24, 2012 by Jean Lenihan

[This article originally ran in the LA Times.] In a dark booth at the Polo Lounge, just down the street from his Beverly Hills home, tour director extraordinaire Jamie King struggles to recall the day he hung up his dance shoes for good. Though his management badly wants this interview to stay on the topic of his current feats as the … [Read more...]

Hofesh Shechter’s “Political Mother”

October 21, 2011 by Jean Lenihan

[This piece originally ran in the L.A. Times.] In a week of dramatic Mideast news, including the release of Sgt. 1st Class Gilad Shalit and the death of deposed Libyan leader Moammar Kadafi, Royce Hall audiences who caught the United States premiere of Israeli-born choreographer/composer Hofesh Shechter’s “Political Mother” traveled beyond these … [Read more...]

Billy Elliot in Spades

March 25, 2011 by Jean Lenihan

The film “Billy Elliot” is a masterpiece of storytelling economy. Alongside its most famous thread — a young boy’s discovery of ballet — Lee Hall portrayed the impotent rage of a redundant working-class population (it’s set during the year-long strike of the British National Union of Mineworkers), the insularity and conformity of small-town England … [Read more...]

Behind the Scenes at Hanson’s Revolution

December 3, 2010 by Jean Lenihan

Dayna Hanson & Dave Proscia

"Gloria’s Cause" is choreographer Danya Hanson’s first full-bodied ensemble piece since her 33 Fainting Spells days, and she has packed it more fully, and dug more deeply, than anything she’s done before. If her early works with Gaelen Hanson were like dense short stories, and her later works with Hanson, Peggy Piacenza, and Linus Phillips were … [Read more...]

About Jean Lenihan

Formerly the staff dance critic for the Seattle Times, Jean Lenihan now lives in Los Angeles where she's written for the … [Read More...]

About Fresh Pencil

This blog began as an aggregation of published freelance pieces on a wide range of dance-makers and touring troupes, from Miss Prissy to ABT premieres to  Benjamin Millepied to Ryan Heffington. Nowadays I often review and write straight into this blog.

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  • Jean Lenihan on Phantasmic Freaks and Geeks in ABT’s Scrumptious “Whipped Cream”: “One more quick hit: Isn’t there something in Ryden’s creatures that makes them quietly imploring? Like they’re stuffed with impossible…” Mar 17, 07:54
  • Michael Wilson on Could an L.A. Dance Hub Grow from a Mapping Tool?: “There are not nearly enough respondents to draw any real conclusions. This strikes me as a mostly pointless exercise with…” Apr 2, 19:44
  • m. beth on Los Angeles Ballet’s Notable “The Sleeping Beauty”: “I know it’s pricey, but you should REALLY go see Allynne Noelle dance the role of Aurora in The Sleeping…” Mar 10, 17:07
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