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Jean Lenihan: dance and other movements

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The Red Shoes Are Not Tired

September 11, 2017 by Jean Lenihan

Moira Shearer's slippers worn in "The Red Shoes," from the private collection of director Martin Scorsese, who spearheaded the film's restoration in 2009.

Matthew Bourne's "The Red Shoes"  On September 15, the big-ticket fall dance season in Los Angeles begins with the U.S. premiere of Sir Matthew Bourne's award-winning 2016 ballet version of  ‘The Red Shoes,’  appearing for a  robust two-week run at the Music Center (Sept. 15-Oct.1). As with other recent Bourne visits, the luxe scenic production … [Read more...]

Dance in L.A. Museums Unleashes the Spirits

February 22, 2017 by Jean Lenihan

If you haven't seen dance at a museum lately, some good news. Gone are the days when dancers were brought in like bulky decor to inhabit dead gallery space. Synchronicity abounds, tickets are still low cost (often free) and the payoff can be huge. In fact, some of the best dance I've ever seen has been in galleries. In the last few years, … [Read more...]

The Mariinsky’s Full-Force “Raymonda” Debuts in U.S.

September 26, 2015 by Jean Lenihan

Continuing its run of historic ballet firsts, the Segerstrom Center in Costa Mesa, CA opened its 30th season on Thursday night with the U.S. premiere of the Mariinsky Ballet and Orchestra’s production of the rare three-act classical ballet “Raymonda” (1898), one of Marius Petipa’s final works, and arguably the most sublime unveiling yet. Unlike … [Read more...]

About Jean Lenihan

Formerly the staff dance critic for the Seattle Times, Jean Lenihan now lives in Los Angeles where she's written for the … [Read More...]

About Fresh Pencil

This blog began as an aggregation of published freelance pieces on a wide range of dance-makers and touring troupes, from Miss Prissy to ABT premieres to  Benjamin Millepied to Ryan Heffington. Nowadays I often review and write straight into this blog.

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