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Speight Jenkins on the art of Opera

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Archives for June 2015

Les Troyens

June 17, 2015 by Speight Jenkins 2 Comments

Imagine an empty stage apron with a black curtain behind it on which a beautiful woman with flowing blond air, all in white, is kneeling and pouring out expressive, rich sound, her words filled with an exquisite and resigned acceptance of fate, and you will have some idea of how Susan Graham realized the section of Berlioz Les Troyens that begins with “Je vais mourir” and concludes with “Adieu, … [Read more...]

BAD BREAKFAST

June 12, 2015 by Speight Jenkins 14 Comments

I have been reviewing opera at least since 1947 when I first realized that every singer was not perfect. On that occasion the Violetta tried for the high E-flat at the end of Act I of La Traviata and spectacularly missed it. Ten years and some two hundred performances later the Dallas Morning News published my first critique--of the Metropolitan Opera's Samson et Dalila, with Rise Stevens. I loved … [Read more...]

Speight Jenkins

After 31 years I have retired as General Director of Seattle Opera. Over that time we produced 92 operas in more than 1,200 performances... … [Read More...]

OperaSleuth

I believe in the power of opera if produced theatrically and sung with emotion. Great artists are those who understand that the words inspired the composer to write the music, and they interpret the words meaningfully with good diction. Everything about opera is emotion, and just to sing accurately … [Read More...]

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