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Chloe Veltman: how culture will save the world

Thoughts as I start a new professional chapter

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A vewi of the San Francisco skyline from Bernal Heights. April 30, 2015. (Photo: Chloe Veltman.)

In a couple of hours I will walk through the doors of KQED and start my new job as senior arts editor there.

KQED is one of the country’s biggest and most well-respected public media organizations. I’m feeling excited and a little intimidated about what lies ahead.

I learned a lot from my two years at Colorado Public Radio in Denver. It was essentially my first ever full-time, salaried job. I’d always worked for myself until I went to CPR to launch and lead its then brand new arts bureau.

Some of the things I picked up from my time at CPR that will serve me well in the new gig (it’s a very general list that will probably have many of you going “duh!”, but still):

  • Listening carefully.
  • Learning to be patient. Bringing about change in public media organizations often takes time.
  • Understanding that I don’t have control over a lot of things that happen in the workplace and that I have to be flexible and calm and roll with whatever comes my way.
  • Knowing that the best ideas often come to me at unpredictable moments and that forcing stuff to happen isn’t generally productive.
  • Knowing what battles to fight and when to walk away.
  • Staying enthusiastic while keeping it real. Vacuous perkiness is irritating as I discovered from spending time around one or two of my colleagues in Denver.
  • Keeping a good sense of perspective.
  • Maintaining transparency and openness.
  • Spending time getting to know the building and as many of its dwellers as I can — walking around and talking to people not just in my team but also all over the organization is a must.
  • Taking breaks.
  • Having fun.
  • Knowing that I don’t always have to have all the answers right away.
  • Maintaining boundaries.
  • Understanding that I cannot possibly see every single piece of art happening in the region. But I can get to a bunch of it and build my understanding of the area’s cultural life bit by bit.
  • Putting diversity front and center of my thinking when it comes to commissioning stories and who should cover them.
  • Experimenting. Wildly.
  • Questioning. Unrepentantly.
  • Respecting tradition even as I question it.

Wish me luck!

 

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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