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Chloe Veltman: how culture will save the world

Classical Music and Meditation

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I was on the phone yesterday with violinist  David Balakrishnan, the founder of the Turtle Island String Quartet. One of the most memorable things he said in a conversation that spiraled all over the place was about the relationship between classical music and meditation in western culture.

“I think of classical music as being equivalent to the meditative side of western culture,” David said. “You go go to a concert, sit quietly, get inside yourself, stay with the music and be present with it. I don’t think enough can be said about this in a bustling world of short attention spans. And, yet we’re so drawn to the east for meditation. Why is this when we have our own form of meditation in the form of classical music?”

What David says isn’t rocket science. It’s simple and blindingly obvious, really. But I’d never really thought of classical music in that way before.

Of course, not all classical music makes you want to connect with your inner Buddha. I don’t think Stravinsky’s Sacre du Printemps or Wagner’s Meistersinger could really be thought of as meditative in the traditional sense.

But as classical music organizations become increasingly obsessed with providing “experiences” for audiences that overstimulate all the senses in an attempt to stop people from “getting bored”, they should remember David’s words. There’s nothing wrong, especially in these hectic times, with being as still as a yogi in a concert hall and letting the music wash over you like a mantra. Maybe if people increasingly started thinking of classical music concerts as meditation, concert hall music could truly complement yoga as a means to quiet the mind and breathe deeply in the western world. Or, at the very least, concert halls would sell more tickets and there’d be space in my oversubscribed yoga class for a few extra mats. 

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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