• Home
  • About
    • Chloe Veltman
    • lies like truth
    • Contact
  • AJBlogs
  • ArtsJournal

lies like truth

Chloe Veltman: how culture will save the world

Adorable

0910-gf-thumb-11.jpgI don’t think I’ve ever described a work for the musical theatre as “adorable” before. But that’s the word I would most readily apply to Berkeley Repertory Theatre‘s new musical Girlfriend.

Based on Matthew Sweet’s early 1990s album of the same title and directed by the mercurial Les Waters, Girlfriend tells the story of two teenage boys falling in love against the backdrop of Sweet’s lollipop rock soundtrack played with verve by a dykey all-female four-piece band.

The piece is full of expectation, warmth and youthful vigor; it’s the stuff of spring. Whether you’re in love or remember falling in love (particularly for the first time) the work perfectly captures that initial feeling of excitement.

A two-hander starring Ryder Bach and Jason Hite, Girlfriend is on a much smaller scale than some of Berkeley Rep’s other recent forays into musical theatre such as American Idiot and Passing Strange. But it’s got more soul than these other works to my mind and it’s so much more intimate than pretty much any other musical I’ve seen to date.

Theatreworks’ recent two-hander, Daddy Long Legs, a love story of a similar size and scope, didn’t achieve the same level of closeness and freshness. I really hope Girlfriend goes on to be performed elsewhere. It’s a chamber piece though — I don’t suppose it’ll ever make a Broadway show. But it would be perfect off-Broadway fodder.

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

Archives

Blogroll

  • About Last Night
  • Artful Manager
  • Audience Wanted
  • Bitter Lemons
  • blog riley
  • Clyde Fitch Report
  • Cool As Hell Theatre
  • Cultural Weekly
  • Dewey 21C
  • diacritical
  • Did He Like It?
  • Engaging Matters
  • Guardian Theatre Blog
  • Independent Theater Bloggers Association
  • Josh Kornbluth
  • Jumper
  • Lies Like Truth
  • Life's a Pitch
  • Mind the Gap
  • New Beans
  • Oakland Theater Examiner
  • Producer's Perspective
  • Real Clear Arts
  • San Francisco Classical Voice
  • Speaker
  • State of the Art
  • Straight Up
  • Superfluities
  • Texas, a Concept
  • Theater Dogs
  • Theatre Bay Area's Chatterbox
  • Theatreforte
  • Thompson's Bank of Communicable Desire
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license