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lies like truth

Chloe Veltman: how culture will save the world

Popstar to Operastar

rolando.jpegThe British TV show, Popstar to Operastar, has been taking a lot of heat from critics who think that the series is inane and demeaning. The critics are not wrong. The show is really just good old fashioned gladiator stuff: put a bunch of pop singers in the ring with Mozart and Puccini and see who wins. It’s really a fait accompli though the panel of judges – which includes the celebrated Mexican tenor Rolando Villazon (pictured) act as if the stakes are high.

But as dumb as Popstar to Operastar might be, it performs a serious function: In showing that you cannot train a pop singer to pull off an opera aria in a few weeks, the program demonstrates that learning to be an opera singer is extremely hard work and requires a large amount of time and talent. It also might get people who don’t normally pay attention to opera to get out and see a few productions or maybe listen to some recordings by great singers.

I would be curious to see the ITV network do a reality series which operates in the opposite direction: I wonder if a bunch of trained opera singers could pull off fronting a rock band convincingly with only a few weeks of coaching? My guess is that the journey from “Operastar to Popstar” might be easier to manage than the other way around. But I don’t suppose that it would make such compelling viewing.

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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