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lies like truth

Chloe Veltman: how culture will save the world

Jack Nicholson

I ended up having to retract my long-held-to aversion to Jack Nicholson last night following a screening of Easy Rider at San Francisco’s Red Vic movie theatre. I have seen the film several times before. But it had been years since my last viewing. One of the best things about the film is Jack Nicholson’s performance as a drunk and muddled momma’s boy of a small-town lawyer. He brings such vitality and sweetness to the role. His death in the middle is the cruelest moment of the entire film.

I think, perhaps, that there was something inspired about Nicholson in his early years. Then he became typecast as a weirdo and his performances became increasingly one-dimensional. I couldn’t get more than 20 minutes through About Schmidt. Jackson’s approach to acting has become a caricature of itself of late. It was wonderful, through reacquainting myself with Easy Rider, to remind myself that he was once a great actor.

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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