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lies like truth

Chloe Veltman: how culture will save the world

Theatre Killed The Video Star

Every now and again someone in the media writes an article about how advances in digital technologies like motion capture will make real, live actors a thing of the past on screen.

This morning, as I read the latest of these, an NPR piece about the latest Brad Pitt vehicle, The Curious Case Of Benjamin Button, I started to wonder what impact a world free of actors on film would have on the theatre scene.

Would it suddenly increase the attention paid to live performance? If people know they won’t get “the real Brad Pitt” (pictured in digital form, above) when they go to a movie, a premium might be placed on getting to see him live on stage.

Of course, there is currently something of a premium on celebrity actors when they occasionally pop up in shows on Broadway and in the West End, though judging by the dismal ticket sales at the moment, it seems like even the biggest movie icons (eg Jane Fonda) aren’t making people flock to the theatre.

But putting celebrities aside for a moment, I wonder if the disappearance of actors from films will actually change the face of theatre and audiences as we know it? Actors of all stripes may suddenly truly aspire to working on stage (as opposed as seeing it, as many do, as a mere stepping stone for television and film careers). Bored of sitting in front of zombies made of bits and bytes, audiences might start flocking to see plays, musicals, comedy shows and operas. Wow. Imagine that. The mind boggles.

Honestly, though, I can’t see this future coming to pass, at least not anytime soon. Which is probably a good thing, even though I do like to fantasize about how it might revolutionize theatre. The disappearance of live actors from movie screens would be a terrible thing for film art. On balance, I don’t think I’d like to see technology take over, even if it does go some way towards increasing the kudos of the stage.

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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