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lies like truth

Chloe Veltman: how culture will save the world

On Being Accosted At The End Of A Play

Every now and again, a director, producer or cast member of a theatre production which I am reviewing will accost me as I’m exiting the theatre after seeing the show to ask me what I thought of it. This is a tricky situation. Even if I enjoyed myself immensely, it’s hard to formulate a response instantly. And if I didn’t have a great time, it’s even harder to say it straight out to someone who’s been working so hard to get the show up and running.

I suppose the easiest way to nip the issue in the bud is to use the stock answer: “You can read all about it when my review comes out next week.” But this somehow seems a bit smug. Also, frankly, I never remember to use it when I’m caught on the spot.

The other day, a director not only asked me what I thought of the show as I was making my exit, but also added — when he didn’t quite catch my noncommittal answer to his question — “Oh good, it’ll be great to get a plug this late in the run.” Sheesh.

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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