Robert Irving III

Digging Our Roots videos, speakers inspire engagement

May 25, 2019 by Howard Mandel

Billy Branch watches Sonny Boy (Rice Miller) Williamson II; photo by Alan Frolichstein Nearly 100 Chicagoans (maybe some visitors?) watched Muddy Waters, Howlin' Wolf, Junior Wells, Buddy Guy and other heroes of the blues on videos at the Cultural Center Thursday night (5/23/19), with harmonica star Billy Branch and WDCB program host Leslie Keros telling stories and participated in lively interplay with knowing attendees. It was the fifth Digging Our Roots: Chicago's Greatest Hits "listening session" this spring, co-presented by the Jazz … [Read more...]

Chicagoans’ albums reviewed, author’s edition

February 23, 2016 by Howard Mandel

My reviews of recordings by Chicago pianists Larry Novak, Laurence Hobgood and Robert Irving III, percussionist Art "Turk" Burton, and saxophonists Caroline Davis and Roy McGrath appeared in DownBeat's January issue, but the print edition limited their length. DB's rating system ranges from one to five stars (*s), poor to masterpiece. Here's my text as submitted: In Chicago jazz, veteran modernists pave the way for innovators to expand on a fabled legacy. Experimentalists and mainstreamers alike convene supportive communities, yet everyone, … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Alan on Dr. John, Back in the Day and Blindfolded: “What a great memory. I had the pleasure of photographing him opening for Alice Cooper in 1972 at the Auditorium…” Jun 7, 14:47
Alan Frohlichstein on Digging Our Roots videos, speakers inspire engagement: “Great program! I am glad I was able to attend. Alan” May 25, 13:20
Howard Mandel on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “The problems are most immediately financial, resulting in fears of eviction and homelessness, caused by losses detailed in the GoFundMe…” May 16, 15:07
G. C. Szmulewicz on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “So what seems to be the problem ??” May 16, 13:40
Diane S Gordon on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “Yeah, I was surprised to hear this, especially since I know that he is a professor at UCLA. Apparently, there…” May 13, 08:54

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]