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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Four months of jazz adaptation, resilience, response to epidemic

In early March – only four months ago – I flew between two of the largest U.S. airports, O’Hare and JFK, to visit New York City. I stayed in an East Village apt. with my daughter and a nephew crashing on her couch. We ate barbecue at a well-attended Jazz Standard performance by drummer Dafnis […]

Revered jazz elders, deceased: portraits by Sánta István Csaba

As a generation of jazz elders leaves our world — some hastened by the pandemic — their faces as photographed by Sánta István Csaba become even more luminous, haunting, iconic. Originally from Transylvania and currently living in Turin, the northern Italian area with heaviest covid-19 infections, Sánta reports that he is healthy, employed at the […]

Civil Rights-Jazz document, 1963

Prior to tomorrow’s inauguration, the New York Times (and I suspect many other publications) has focused in many columns, book reviews and reports on Barack Obama’s election as a turning point in the U.S.’s movement towards full civil rights for all people. The entertainment section makes the case for movies having led the way to […]

Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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