Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

George Avakian, jazz records hero, at 91 speaks of Miles

George Avakian is a jazz hero who’s done more than anyone else in the record business ever to ensure America’s greatest music endures. Inventor of the reissue, the jazz album, the liner note, producer of Louis Armstrong, Duke Ellington and Miles Davis, among others, on his 91st birthday March 15, Avakian gave a fascinating interview to Marc Myers, posted at JazzWax.com, Much of it’s about re-launching Miles’ career. Also, here’s Doug Ramsey’s report on Avakian from last year.

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David Honeyboy Edwards: the blues at 95

David Honeyboy Edwards — at age 94 and 3/4s one of very few survivors of the original Delta blues generation — gigged at B.B. King’s Blues Club on NYC’s 42nd St. last week. He held the stage with little help from his two sidemen for nearly an hour, after receiving a Lifetime Achievement Award from the National Guitar Museum. His voice a warm burr reaching for a high, tight little cry, his acoustic guitar playing quirky but deliberate, Edwards was completely at ease delivering songs he’s performed most of his long life. He knows exactly what he’s doing.

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She plays like a girl? That’s hot — and cool!

Women are making future jazz history — despite seldom showing up in top high school band competitions. My new column in City Arts – New York’s Review of Culture, has local names and immediate dates; jazz gender parity is a slow movement but my bet is it’s irreversible.

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Happy Birthday Ornette Coleman, roots avant-gardist


Composer, conceptualist and multi-instrumentalist Ornette Coleman, b. March 9 1930, is widely known for “free jazz” — which is routinely depicted as the most abstract and daunting music to emerge from the U.S. But this overlooks Ornette’s deep roots in blues from the Southwest and his fealty to the freedom of expression, mobility and individuality that has made the U.S. great.

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Threadgill talks, Zooid photo’d

Composer-saxophonist Henry Threadgill performed his quicksilver music with quintet Zooid at the Jazz Gallery a few days back: here are the photos. He talked at Jazz at Lincoln Center, also: a brief synopsis.

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NYC blues extra: Grammy winner Honeyboy Edwards @ BB King’s

City Arts, for space reasons, left off the last graph I’d submitted: True blue fans will flock to hear David “Honeyboy” Edwards, running buddy of legendary Robert Johnson and recipient of a Grammy Lifetime Achievement Award, at B.B. King’s March 11. Edwards is 95, a lifetime achievement for any blues musician, and according to this report from two years ago, he can still play. Continuing with the strength that it has for more than 100 years is an achievement for the blues itself, and American culture, too.



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Robert Dick’s big bad flute

Flutists drawn to the instrument’s floating high pitch also want to get down, according to Robert Dick, world master of the contrabass flute and extended flute techniques. He demonstrated this truism Monday at Dixon Place (NYC) with an improv titled “Fumarole,” after the undersea vents for volcanic gasses that support unique ecosystems and lifeforms. It sounded like little else I’ve ever heard.

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