As a teenager in pursuit of the avant garde, I took tenor saxophonist Fred Anderson, who died June 24 at age 81, as a hero upon first hearing him in 1966. It was at a Unitarian Church-run coffee house in downtown Evanston near Northwestern U., and attention clearly had to be paid to the long, fierce, unreeling, knotty […]
Miles’ beyond jazz, today and tomorrow
Miles Davis is still at it — in Prospect Park, the Highline Ballroom, (le) Poisson Rouge, Carefusion Jazz Festival’s Carnegie Hall concerts, also overflowing the Montreal Museum of Fine Arts, as per my City Arts – New York column and enriching the glorious Festival International de Jazz de Montreal (June 25 – July 5). Though he died of […]
Why of the Jazz Journalists Assn’s Jazz Awards
Why give Jazz Awards? See my new column in City Arts re the event Monday 6/14 at City Winery in NYC, produced by the Jazz Journalists Assoc. (Full disclosure: I’m deeply involved — as left, last year presenting Kurt Elling his statuette for Best Male Vocalist, photo by Enid Farber. See us this year, streaming […]
Robert Johnson on speed
Musicologists are convinced blues icon Robert Johnson’s recordings as released are 20% faster than he performed in two solo sessions in 1936 and 1937. It’s unclear whether they were sped up intentionally (to push their excitement, which seems hardly necessary) or accidentally at some point in the chain between microphone and pressing plant. What is […]
World’s music in NYC parks
Caribbean music is big — and free — in the city’s parks this summer; my City Arts column details some of the best shows. There’s also music from Africa, Turkey, Syria, Brazil — almost everywhere, as well as the good ol’ USA. I’m off to teach my NYU class about “World Music,” a nebulous concept, so […]
Swing stops: Japanese jazz mag fails
Swing Journal, the magazine promoting American jazz in Japan since the end of WWII, ceases publication with its June issue. According to editor-in-chief Takafumi Mimori, “We will make efforts to revive it somehow,” but the monthly publication known for its photography, articles by U.S. as well as Japanese commentators and previously robust support from electronics […]
Hank Jones, reigning jazz pianist, dies, age 91
A moderate modernist with beautiful touch and exquisite taste, Hank Jones was a beacon of gentle authority, genuine modesty and jazz grace at the keyboard. Oldest brother of the more unruly trumpeter-composer Thad Jones and drummer Elvin Jones, Hank epitomized balance, consistency and flexibility. It was a joy to be in his company, whether listening […]
Tremé, the musical
Lovers of jazz, jazz beyond jazz, jazz before jazz are all watching Treme, right? The HBO series about New Orleans three months after Katrina sets a new standard for celebrating America’s roots music where this should happen — on tv.
Jazz lofts as they used to be
Composer Steve Reich said, “Without John Coltrane, there would be no minimalism.” The topic was Hall Overton, the man who arranged Monk’s music, treating jazz as contemporary “classical” composition. The occasion was a panel discussion sprung from an exhibit at the NY Public Library of the Performing Arts about the Jazz Loft hosted by photographer W. […]
Herb Alpert rescues Harlem School of the Arts
Trumpeter Herb Alpert’s foundation kicks in $500,000 to sustain a failing Harlem arts school — more philanthropy from the Tijuana Brassman hailed by Jazz Journalists Association last year for his great good works. Why aren’t there more like Herb?
What’s in a Jazz Award?
Finalists for the 14th annual Jazz Awards presented by the Jazz Journalists Association are up at JJAJazzAwards.org. See and hear who critics like. These are our Pulitzer Prizes.
Central Brooklyn Jazz Festival goes to roots, future, justice
My column in City Arts highlights the 40-event Central Brooklyn Jazz Festival, taking place throughout April “from Flatbush up Fulton Avenue through the neighborhoods of Fort Greene, Clinton Hill, Bedford-Stuyvesant and Ocean Hill to Bushwick . . . the area that gave birth to Max Roach and Randy Weston some 80 years ago.” It’s booked with […]
Arts funding disparities show philanthropists’ priorities
A $30 million gift to the Metropolitan Opera – the Harlem School of the Arts closes for lack of 1/60th that amount. Pretty clear what big private funders value, and it’s not the American vernacular or immediately next generation of artists. There’s hardly anything jazzy about this post.