Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

From the ‘Let Us Compare Obscenities’ Department

by

The other day a call went out for “comparative obscenities” to add to the literary examples by Bukowski and Catullus. One reader obliged by sending a drawing by Topor, whom he regards as a “sheer genius.” Straight Up’s staff of thousands agrees and decided to pair Topor’s drawing with one of Tomi Ungerer‘s. (And here’s […]

Bukowski & Catullus: Let Us Compare Obscenities

by

The other day a friend of mine said, “I’m not sure a living human has written a good poem since Bukowski died.” His all-time Buk favorite is “The Best Love Poem I Can Write at the Moment.” Coincidentally, I came across a review by Michael Hinds of The FBI’s Obscene File: J. Edgar Hoover and […]

Still Hidden in Plain Sight, a Reminder of Old Times

by

Two news stories — an “exclusive” in The Guardian (“Revealed: Pentagon’s link to Iraqi torture centres”) and a front-pager in The New York Times (“C.I.A.’s History Poses Hurdles for an Obama Nominee”) — are reminders that more than seven years ago Straight Up’s staff of thousands was onto the story about the American strategy to […]

‘Artaud Fragmentations’

by

And now for another kind of poem, as unlike “Death Is a Wind That Will Carry You Off” as day from night. It’s part of a large series of stenciled texts by the Dutch artist and writer Gerard Bellaart. At the urging of my staff of thousands, examples from Bellaart’s word-based series of artworks have […]

‘Death Is a Wind That Will Carry You Off’

by

This poem is not intended as a companion piece to “Music for the End of Time.” The tone is entirely different, not at all apocalyptic. But it covers the same or similar ground, and I can’t help thinking that the difference in treatment is a merely a matter of temperament. Which is enough: Death is […]

‘Music for the End of Time’

by

Excerpted from the complete 52-minute work for trombone, video and quadraphonic electronics. Based on the Book of Revelation, the music had its premiere in Montreal, at McGill University, in March 1998. The video was premiered in Taos, New Mexico, in September 2007. Personnel: Abbie Conant, trombone; Norbert Bach, digital stills; William Osborne, music and video.

Raw Data: Armed Drone Prototype

by

This comes from Norman O. Mustill’s “raw data” pile. It appeared during World War II in an ad for Good Housekeeping Magazine, warning against “A Dictator’s Newest Dream.” According to the text that accompanied the ad, “The army has specified that it must be able to carry 4 soldiers with full equipment or a machinegun […]

‘Democracy Now!’: Riveting Look at the Terror Courts

by

Wall Street Journal journalist Jess Bravin reports on the controversial military commissions at Guantanamo. Describing it as “the most important legal story in decades,” Bravin uncovers how the Bush administration quickly drew up an alternative legal system to try men captured abroad after the Sept. 11 attacks. Soon evidence obtained by torture was being used […]

Damning Account of ‘Rough Justice’ at Guantanamo

by

Jess Bravin has a new book out, The Terror Courts: Rough Justice at Guantanamo Bay, just published by Yale University Press. Kirkus Reviews calls it “a damning, brave book by an author who is legitimately outraged by what he uncovered.” Here’s an excerpt from the Prologue: November 24, 2001. Around Noon. Checkpoints were common as […]

Three ‘Not Poems’ by Stephen Schneck

by

I remember meeting Stephen Schneck in San Francisco at City Lights Bookstore, where I was clerking at the time. He had published The Nightclerk, which won the International Formentor Prize, and I was starting a “little” magazine. He offered three “Not Poems” for the first issue. His novel, translated into 12 languages but banned in […]

Unbeatable Sinclair Beiles Tells It As It Was

by

He talks about William Burroughs, Brion Gysin, Tangiers, the Villa Deliria, the Thousand and One Nights, Naked Lunch, cut-ups, Minutes to Go, the Beat Hotel, Jean Fanchette, Ian Sommerville, the Dream Machine. It’s an unbeatable discovery. Gary Cummiskey, co-editor of Who Was Sinclair Beiles? and the publisher of Dye Hard Press, tipped me to this […]

This blog published under a Creative Commons license

an ArtsJournal blog