“He fell to thinking . . . slowly, listlessly, wrathfully. He thought of the vanity, the uselessness, the vulgar falsity of all things human. All the stages of man’s life passed in order before his mental gaze (he had himself lately reached his fifty-second year), and not one found grace in his eyes.” — Ivan Turgenev, from THE TORRENTS OF SPRING
Ivan Turgenev on Aging
Moloko to Publish Dutch Mordant
“All drawing from the imagination I’d consider a form of automatic drawing; if it exists, it will exist only for the first time. … I think [my images] arise from the instinctive tendency to not look for semblances or analogies. Meaning, to find all that happens in spite of me—imagination versus verisimilitude. One forever seems to be looking for a dimension not directly visible and through the technique at one’s disposal express the sensation that evokes.” — Gerard Bellaart
Remembering 9/11
Starting when the news broke, my report grew longer by the minute. It ran, updated in real time, as MSNBC.com’s cover story. I cobbled together eye-witness accounts — my own, those of others from MSNBC and the Associated Press — writing and rewriting as the catastrophe mounted. Twenty years later I’d rather not reprise all the horrors.
Heathcote Williams’s Credo
‘If Poetry Isn’t Revolutionary, It’s Nothing’
This is a collectors alert. Open Head Press is about to release “Juggling Ghosts”, a series of pamphlets of previously published poems and essays by Heathcote Williams in a slipcased, numbered edition of 500 copies about his encounters — live and otherwise — with William Burroughs, Harold Pinter, Dylan Thomas, Sinclair Beiles, Christopher Marlowe, Lord Buckley, Christopher Smart, Percy Bysshe Shelley, Michael Lesser, Alan Turing, Diogenes of Synope, William Blake and the Tigers of Wrath.
Making a Chapbook of Poems and Drawings
A high-speed look at the dummy shows the pages in sequence. See the spreads on Barcham Green paper ready for sewn binding.
Mustill’s ‘Critic’ in Motion
Norman O. Mustill made “Critic” on paper, in 1971. He didn’t put much trust in critics. The musical symbols cascade down the page, the letter decays beneath them, and they all disappear into nothingness. I take it as satirical comment.
Essays in the Works About That ‘Bastard Angel’
The late poet Harold Norse, né Rosen, was a born maverick. His splendid Memoirs of a Bastard Angel is a delicious account of his life and involvement with too many literary legends to name. But what the hell, here goes: William Carlos Williams and W.H. Auden, Tennessee Williams and James Baldwin, Robert Graves and Paul Bowles, Anaïs Nin and Dylan Thomas, William S. Burroughs and Charles Bukowski. I’ll stop there. Now Clemson University Press is planning to bring out a collection of personal and scholarly essays about his poetry and his life, edited by A. Robert Lee and Douglas Field.
Keith Patchel, R.I.P.
Keith Patchel, an American composer and musician, has died. He was 65. One of his musical legacies is the chamber opera “The Plain of Jars,” about America’s secret war in Laos. Anthony Haden Guest called it “the lineal descendant of Stravinsky’s ‘Nightingale’ and Alban Berg’s ‘Lulu’ and ‘Wozzeck.'” His “Pluto Symphony,” created for the Hayden Planetarium, was nominated for the 2015 Pulitzer Prize.
Bloggers, Poets, Writers . . .
“Words cascade like an avalanche in spring. Try chewing your pencil and staring out the window in despair every so often.” — Wislawa Szymborska
‘Ode to Idealism’
A Contemporaneous ‘Day of Imagination’ in Brooklyn
Contemporaneous, an ensemble of some two dozen musicians, started out at Bard College as the brainchild of a pair of undergrads. Now, more than a decade later, the ensemble is based in New York City and continues to thrive professionally. It will present its largest production to date on Sept. 18. Billed as The Day of Imagination, the program at the Irondale Center in Brooklyn will feature three sets over a full day, four world premieres, six hours of music, and 50 artists.
Out of the Past
Journalism as the Poetry of Fact
Kay Boyle regarded journalism, when it was written well about something important, as “the poetry of fact.”
‘Runaway’: New Folio from Cold Turkey Press
Great beauty from great despair unbends the mind. In a pointless hostile universe that is every poet’s goal.
Here and Now
The morning light takes its time
coming through the bedroom window.
It wakes me properly in the here and now.
‘Writer Directory’ Offers More Than Information
Few books have come my way as generous and wise about writers and writing as this one. The title takes as its model the phonebooks of long ago. But forget that. Remember this: The author, A. Robert Lee, is a British-born, globe-trotting, retired professor now living in Spain, whose heavyweight academic credentials disguise a common touch so light that reading him feels as charmed as floating on air.
On Propaganda
Milton Glaser ♥ Information, Not Persuasion
The late graphic designer, most famous for creating the I LOVE NY logo, had a strong dose of advice more than a decade ago for the propagandists among us — the marketers, advertisers, public-relations spinners and, yes, journalists — along with citizens-at-large facing an onslaught of political campaigns.
Alexa Poems Must Be a Genre By Now
Why am I getting that ad on my device? / Alexa, I want a divorce. Did you hear me? / I can’t spell it out for you. No, don’t thank me. / Don’t wipe my nose. I can brush my own teeth. … If I were paranoid, I would spin bold tales / of grand conspiracies. I love those fantasies. / But they’re not my thing, though in fact / they’re not unreal. Please Alexa, do shut up. / Please disappear. You are unwanted here.
‘Water Stone Words’
This short movie evokes the rich heritage of humankind’s creative responses to the natural environment over millennia. The creators of “water stone words” — filmmaker Ed O’Donnelly, sculptor Kenny Munro, and writer/poet Malcolm Ritchie — made the movie over a period of six days.