The John Rylands Library at The University of Manchester is close to launching “Off Beat: Jeff Nuttall and the International Underground,” a comprehensive exhibition of artworks, writings, correspondence, books, and little magazines produced by or associated with an “all-round genius” whose stunning countercultural career half a century ago is little remembered today. Jeff Nuttall was […]
Not Franzen’s Kind of Birding
As told to me by Kurt Wold: One day Kurt came to dinner at the artist Norman O. Mustill’s house and noticed a birdcage. “Norm,” he said, “you have a bird!” He walked over to it and said, “Hi budgie, budgie.” To which a somewhat pathetic-looking, pale blue budgerigar grasped the bars of the cage, […]
East-West Mash-Up, Hokusai Meets Wright
Not many people know that Richard Wright, renowned for his 1940 novel Native Son, and his 1946 autobiography Black Boy, wrote thousands of haikus — about four thousand actually — all of them in France, in self-imposed exile from the United States, during the last 18 months of his life. Wright prepared 817 of them […]
Rugged Norwegian Art Show by War Vets
While traveling recently in Norway, I came across “Camouflage,” a group exhibition by military veterans of wars and other armed conflicts that doubled as a form of therapy. It was presented in Bergen, Norway’s second largest city, and was curated by Per Ruttledal with the assistance of Suellen Meidell and Robert Rodrigues. Meidell told me […]
‘Dadaglobe’: Art for Dada’s Sake
Although “Dadaglobe Reconstructed” at MoMA is a magnificent project of deep-dive reclamation, the catalogue that recreates Tristan Tzara’s never-realized Dadaglobe anthology also recreates the limitations of Tzara’s original concept. The catalogue is printed as he would have done it — in black and white. I prefer seeing the works submitted to him in their original […]
Dubuffet’s ‘Welcome Parade’ on Park Ave.
I was drifting down Park Avenue last night on my way to hear a talk on Buckminster Fuller by Jonathon Keats, when I came across Jean Dubuffet’s huge “Welcome Parade” of “pathetic monsters.” Both the piece and the placement — the sheer incongruity on that stretch of Manhattan pavement — made me smile. But whatever […]
Remembered Depths
Ian Kershaw writes in a review of KL: A History of the Nazi Concentration Camps, a newly published book by Nikolaus Wachsmann: Is it possible to say anything new about Nazi Germany? This is, after all, probably the most thoroughly researched period in modern history. … [C]an a major work that alters our perceptions and […]
A Music Theater Work in Progress
Truth, or at least the effort to capture it, can be problematic. William Osborne and Abbie Conant have been working for several years on “Aletheia,” a music theater chamber piece for performance artist and digital piano. It feels like “forever,” he says. “The deeper we go the slower it reveals itself.” The ambition of the […]
Boris Lurie’s ‘NO!art’ Mounted in Berlin
NO COMPROMISES! | The Art of Boris Lurie at the Jewish Museum Berlin looks like a major, absolutely must-see show. But the title reminds me of a huge compromise at the heart of it. Lurie, a Holocaust survivor, lived in New York like a pauper. But when he died he left about $80 million. He’d […]
MoMA’s Hidden ‘Electro-Library’ Show
It’s only a couple of vitrines, and they seem like overflow storage — as though they’ve been placed out of the way in the downstairs mezzanine of the Museum of Modern Art’s education building on 54th Street. But the slide show for THE ELECTRO-LIBRARY: European Avant-Garde Magazines from the 1920s is magnificent. In visual richness, […]
Diderot Had the Right Idea
“…neither the white silences / of Beckett, nor the black … / Grace & good nature / like a transparent forest / rooted in facts, / thoughts like crickets / in dry August grass. / Not to climb the ladder, / not to cling or sneer, but / to be invisible. / Though poor and […]
Who Are the World’s Most Famous People?
You’d be surprised. Martin Luther King, Jr. is the world’s best-known American, followed by — are you ready? — Elvis Presley, Marilyn Monroe, Walt Disney, and Ben Franklin. Those are the top five. How do I know this? And on what basis? I checked Pantheon 1.0 at the MIT Media Lab, which did the elaborate […]
Le Vent Macabre
Note to Henri Lefebvre: A long-track F2 tornado on Sept. 16, 2015, destroyed the home of two of my friends.
Mc Neill & Burroughs: Art Meets Occult
Hieronymous Bosch has nothing on Malcolm Mc Neill. And that’s not even counting the underlying theories Mc Neill has about time travel, biological mutation, and evolutionary transition that he and William Burroughs worked on together in Ah Pook Is Here, a failed word-and-image collaboration that led nearly 40 years later to Mc Neill’s memoir Observed […]
MoMA to Mount Tzara’s Magnum Opus
Samy Rosenstock’s idea for a great big book is getting a great big show nearly 100 years later. Dadaglobe Reconstructed reunites over 100 works created for Dadaglobe, Tristan Tzara’s planned but unrealized magnum opus, originally slated for publication in 1921. An ambitious anthology that aimed to document Dada’s international activities, Dadaglobe was not merely a […]
Where Have You Gone, Jackie Robinson?
Pianist Kathleen Supové is to perform “Achilles Dreams Of Ebbets Field” by Dylan Mattingly in a world premiere at the Di Menna Center for Classical Music in New York. The Brooklyn Dodgers will be there in memory only. A massive, visionary piece in 24 parts, the solo piano work deals with heroism, passion, loss, grief, […]
Pélieu Show, With Norman Mailer Cocktail
Feeding Tube Records offered some swag at its exhibition of Claude Pélieu’s Bosch-derived collages. “We made buttons as giveaways,” Byron Coley says, “and we featured a urine-colored cocktail called Norman Mailer’s Pocket.” You can be sure that Pélieu is somewhere in Bosch heaven enjoying the joke. The little yellow buttons said, “je pisse dans la […]



![Hokusai [Cold Turkey Press, 2016]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2016/07/Hokusai-Cold-Turkey-Press-2016-b-640-200x200.jpg)

![Duchamp's Pharmacy (Pharmarcie Duchamp) [ink and gouche on paper) by Francis Picabia]. Dadaglobe, p. 42 [Submitted by Picabia (Paris), by early January 1921.]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2016/07/pharmacie-duchamp-fullcropped-560-200x200.jpg)
![Jean Dubuffet's 'Welcome Parade' [1974-2008]. Polyurethane paint on epoxy (13' 1" x 27' 3" 16' 8" [398.8cm x 830.6 cm x 508 cm] overall installed](https://www.artsjournal.com/herman/wp/wp-content/uploads/2016/07/dubuffet-on-park-ave-750-200x200.jpg)
!['Railroad Collage' © 1963 by Boris Lurie [Cold Turkey Press, 2016]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2016/06/remembered-depths-recto-for-blog-371-200x200.jpg)



!['Les Mots Diderot' sculpture by Gerard Bellaart [Cold Turkey Press, 2016]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2016/05/didero-recto365-200x200.jpg)

!['Evil Wind' (drawing by Gerard Bellaart) [Cold Turkey Press, 2016]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2016/05/evil-wind-CT-recto-365-200x200.jpg)



