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Engaging Matters

Doug Borwick on vibrant arts and communities

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Engaged Marketing: Sales

March 30, 2013 by Doug Borwick

I am in the process of considering marketing as part of my ongoing series on mainstreaming community engagement–figuring out how to be engaged without adding a lot of new "stuff" to do. Here, I want to discuss how the sales process can be "engaging." (NB: In posts on mainstreaming engagement, I am addressing only those individuals or organizations that want broader and deeper relationships with their communities but are uncertain how to begin … [Read more...]

Engaged Marketing: Research

March 27, 2013 by Doug Borwick

In my ongoing effort to imagine arts management structures/practices/programs in a community engagement context (what I call mainstreaming engagement), I'm in the midst of several posts attempting to do that with marketing. In the beginning (Engaged Marketing: Introduction), I discussed (with myself) what marketing is–a task not without its own difficulties. (My conclusions, grossly oversimplified, were that 1) Marketing included but was not … [Read more...]

Engaged Marketing: Introduction

March 23, 2013 by Doug Borwick

Talk about "where angels fear to tread." OK, I'm going to start a series of posts dealing with marketing from a community engagement perspective. I simply ask for a little forbearance. I believe my difficulty is that people have in their heads so many different ideas about what marketing is. I began some of my early comments in this blog with what I now acknowledge to be a somewhat narrow (though largely unconscious) understanding that … [Read more...]

Brilliant Advice

November 17, 2012 by Doug Borwick

I recently returned from the National Arts Marketing Project Conference in Charlotte where I led a roundtable on mainstreaming engagement (pursuing all organizational systems from a community engagement perspective) and had a book signing. I had been concerned that I might feel like a fish out of water. (A pre-conference session was entitled "Monetizing Engagement" for heaven's sake!) On the whole I felt it was a worthwhile trip for me and I … [Read more...]

Humilité

October 31, 2012 by Doug Borwick

When I was a kid, I adored Camelot. There, I've said it out loud. (Well, to be more accurate, publicly.) There were many moments I loved. I'm only going to mention one here. When Lancelot is introduced he goes on at great length about how perfect he is for the Round Table. A knight of the Table Round should be invincible,/Succeed where a less fantastic man would fail./Climb a wall no one else can climb,/Cleave a dragon in record time,/Swim a … [Read more...]

How to Engage

October 24, 2012 by Doug Borwick

I have been spending time of late trying to figure out the best path to engagement on the part of arts organizations. I am a firm believer that systemic engagement (mainstreamed engagement) is at heart the only way that will bear much fruit. Add-on activities won't get done. Seriously, where are the resources to do more? Or they will be marginalized internally and externally. Internal stakeholders will not see it as important; the community will … [Read more...]

Engagement Principles from a Marketer

September 12, 2012 by Doug Borwick

In The Farmer and the Cowman I posited that arts marketers and community engagement advocates (in my case, probably "zealots" would be more appropriate) should be great friends and collaborators. In it I mentioned a series that Trevor O'Donnell (MARKETING THE ARTS TO DEATH) is doing on inexpensive approaches to marketing research. In another "hall of mirrors" moment of blogging, I was grinning ear to ear at his list of principles for marketing … [Read more...]

Focus Group or Story Circle

August 15, 2012 by Doug Borwick

In my last post (Reinventing the Wheel), I talked about Roadside Theater's use of story circles in script development and relationship building. It was presented as one example of how arts organizations that have long focused on grassroots relationships have much to teach the rest of the arts community. In response, Roadside's director, Dudley Cocke, contacted me to amplify my point: Very few people have understood that all of Roadside's work is … [Read more...]

The Farmer and the Cowman

July 18, 2012 by Doug Borwick

As I grow up (an incredibly slow and painful process, especially at age 60), I find myself, in spite of myself, learning things. One of the most revealing lessons I've more fully grasped in the last year is that arts marketers and community engagement advocates can and should be the best of friends. On first consideration, this is far from obvious. The two have vastly different ultimate goals, vastly divergent frames of reference. Marketers … [Read more...]

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About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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