• Home
  • About
    • Engaging Matters
    • Doug Borwick
    • Backstory-Ground Rules
    • Contact
  • Resources
    • Building Communities, Not Audiences
    • Engage Now! A Guide to Making the Arts Indispensable
  • EM’s List
  • AJBlogs
  • ArtsJournal

Engaging Matters

Doug Borwick on vibrant arts and communities

Justice and Engagement

May 16, 2018 by Doug Borwick

In March I participated in the Intersections Summit hosted by Milwaukee Repertory Theater. It was a gathering of community engagement practitioners from theaters (mostly) across the U.S. As frequently happens, the conference sparked a number of thoughts. Last week I began by reflecting on the meanings of the word engagement. (The Problem of “Engagement”)

In the opening keynote Carmen Morgan, a gifted diversity/equity/inclusion speaker and trainer, discussed the relationship between community justice and community engagement. She suggested that we should be focusing on community justice rather than community engagement. Part of her reasoning was rooted in the poor execution of community engagement that characterizes many arts organizations’ CE efforts. Her more important point was that the only way systemically privileged arts organizations (my term, not hers) can build relationships with non-privileged communities is by working toward justice for them.

That is absolutely true. However, one concern I have is that community engagement, as I use the term, refers to connecting with any community, not just those which have historically been excluded from access to cultural resources and social power. For the purpose of planning for engagement, I define community as any group of people with something in common. As an extreme example, thirty-year-old accountants can be a “community” in this sense. With some communities, then, issues of justice are not primary; but let me be clear, for many, many they are.

My other concern in abandoning community engagement for community justice is that some organizations might see that as being so counter to their mission they would avoid all relationship building. If effective community engagement demands awareness of and work toward justice (and it does), it should be possible to continue supporting community engagement without giving up the important need to work for equity.

In attempting to engage many communities, working for justice is critical. I know that I have a professional investment in “community engagement,” but I truly don’t believe that continuing to advocate for it in any way diminishes the need to work for justice as well.

Engage!

Doug

Photo: Wikipedia By ChvhLR10 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4707069

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Related

Filed Under: Principles, The Practice of Engagement Tagged With: arts, community engagement, equity

Comments

  1. Trevor O'Donnell says

    May 16, 2018 at 11:55 am

    I couldn’t agree more. Engagement is about ALL communities, rich/poor, have/have not, in-group/out-group. Community justice is about marginal or disenfranchised communities.

    Community engagement must focus on communities that can reasonably be expected to become participants and supporters. Trying to solve political problems for people who are not likely to sustain the organization financially is impractical, if not fiscally irresponsible.

    Some arts organizations include community justice in their missions and raise funds to support community justice initiatives, which is great..

    But arts organizations that were not designed as pass-through charities must stay focused on responsible business practices, which means they must focus their engagement resources on communities that offer a reasonable return on the investment.

    Arts organizations that devote scarce resources to charitable enterprises while allowing their sustaining audiences and donors to disappear are of no long-term use to anyone.

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,552 other subscribers

About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Archives

Recent Comments

  • Jerry Yoshitomi on Deserving Attention: “Doug: Thank you very much for this. I am assuming that much of the local sports coverage is of high…” Mar 25, 16:28
  • Alan Harrison on Deadly Sin: II: ““Yes, but it’s Shakespeare!” is a phrase I heard for years in defending the production of the poetry from several…” Feb 17, 19:38
  • Doug Borwick on Deadly Sin: I: “Excellent question.” Feb 11, 16:08
  • Jerry Yoshitomi on Deadly Sin: I: “When I first came into the field and I met our leadership, it seemed to me that ‘arrogance’ was a…” Feb 10, 15:36
  • Doug Borwick on Cutting Back: “Thanks for the kind words. Hope you are well.” Oct 2, 06:58

Tags

arrogance artcentricity artists arts board of directors business model change community community engagement creativity dance diversity education equity evaluation examples excellence funding fundraising future governance gradualism implementation inclusion instrumental international Intrinsic mainstreaming management marketing mission museums music participation partnership programming public good public policy relationships research Robert E. Gard Foundation simplicity structure terminology theatre
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in