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Engaging Matters

Doug Borwick on vibrant arts and communities

Communities of Necessity

April 25, 2018 by Doug Borwick

As part of the community engagement planning process virtually every arts organization has to make choices about which communities they want to seek out as partners. (We are talking here about new communities. Current stakeholders should, of course, be the first community with which to engage more fully.) In almost every circumstance it has been my practice to recommend minimizing the “degrees of separation.” That is, go first to communities with which some relationship–through prior programming or through board, staff, or volunteer connections–already exists. This is far simpler, more organic, and less invasive than “cold calling” on a new community.

However, in several conversations with engagement staff members during the last year I have come to realize that there are circumstances in which that advice needs to be tempered. The demographics of our cities, suburbs, towns, and rural areas are changing rapidly and, in some locales, new communities are becoming so important that engaging with them will be an existential imperative. If we don’t have relationships with them–many, deep relationships–our viability is questionable, sometimes in the near term. So, even if we don’t have any near contact, it is vital to begin the relationship-building process.

Doing so is extremely difficult. There is a very real possibility that communities with which we have no relationship will see such overtures as self-serving on the part of the organization–simple efforts to sell tickets or secure donations. The reactions can range from apathy to hostility. This is why I’ve advocated for first pursuing more closely related groups.

However, in some cases, as for instance where Hispanic/Latino populations are becoming majorities or near majorities, lack of relationships with those communities will inevitably lead the arts organization to become an irrelevant afterthought in shaping the future.

If there is no existing relationship with such a community on which to build, it is still essential to begin. [Of course, if there is no existing relationship, there are issues that are even deeper than “mere” engagement. Why is there no connection with a rapidly growing, vitally important community? But that is a much bigger question than that addressed here.] Regardless, the process will be an extremely long and delicate one, but it must be begun.

Find guides, ambassadors, people to provide introductions. Listen, learn with humility and respect. And don’t expect instantaneous results. This will take much time to bear fruit. But it’s critical to the future of the organization.

Engage!

Doug

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Filed Under: The Practice of Engagement Tagged With: arts, community engagement

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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