• Home
  • About
    • Engaging Matters
    • Doug Borwick
    • Backstory-Ground Rules
    • Contact
  • Resources
    • Building Communities, Not Audiences
    • Engage Now! A Guide to Making the Arts Indispensable
  • EM’s List
  • AJBlogs
  • ArtsJournal

Engaging Matters

Doug Borwick on vibrant arts and communities

Voice of the Community

April 26, 2017 by Doug Borwick

My son is an IT consultant and over the years we have often discovered commonalities between our work. He was the one who first put me on to the concept of UX Design (UX = User Experience). The fact that we kept finding themes relevant to both our professions used to surprise me. Now I realize that he works with professionals in a complicated specialty who have to work with/communicate with end users who have no understanding of the vocabulary or practice of the discipline. Sounds familiar.

I recently was lamenting to my son an epic fail of customer relations on the part of the company that provides my business’s CRM database. (They implemented a change, with no warning, that moved significant quantities of data to a big pile of “Additional Information.”) The reasons for doing so made some sense from their point of view but the lack of consideration of what it would mean to the customer and the utter lack of communication in advance was stunning. [While no physical injury was involved, I am reminded of the tweet from Ron Evans, an arts marketing consultant, about the United Airlines “Doc off a plane” fiasco: “So nobody @ #united ever mapped out the user experience for passengers who refuse involuntary bump and said ‘yeah, that’s not a good idea.'”?]

John told me about a concept in IT development called Voice of the Customer. The idea is sometimes limited to what one might call in-depth market research, but he said it is also sometimes taken literally in product development meetings: someone is designated to represent the customer’s point of view as ideas are considered.

The implications for community engagement could be huge. Imagine, at a minimum, someone who is charged with keeping at the front of their minds “How would the people we are trying to reach respond to this?” The first, and obvious, objection should be “How would you know?” And that leads to the teachable moment. At the very least you need to talk with them; at best, include them in the conversation.

Regular readers of this blog know that I am uncomfortable with the distancing that is created by words like audience and customer. We need to build personal relationships and those words do not help that. So, I would advocate for a dedicated “Voice of the Community”–however the role is defined in an organization–to be included in all discussions of programming, from design to implementation.

And even if you don’t implement this, thinking that it might be a good idea could improve decision making processes.

Engage!

Doug

Photo:  Some rights reserved by oatsy40

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Related

Filed Under: Principles, The Practice of Engagement Tagged With: arts, community engagement, implementation, terminology

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,552 other subscribers

About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Archives

Recent Comments

  • Jerry Yoshitomi on Deserving Attention: “Doug: Thank you very much for this. I am assuming that much of the local sports coverage is of high…” Mar 25, 16:28
  • Alan Harrison on Deadly Sin: II: ““Yes, but it’s Shakespeare!” is a phrase I heard for years in defending the production of the poetry from several…” Feb 17, 19:38
  • Doug Borwick on Deadly Sin: I: “Excellent question.” Feb 11, 16:08
  • Jerry Yoshitomi on Deadly Sin: I: “When I first came into the field and I met our leadership, it seemed to me that ‘arrogance’ was a…” Feb 10, 15:36
  • Doug Borwick on Cutting Back: “Thanks for the kind words. Hope you are well.” Oct 2, 06:58

Tags

arrogance artcentricity artists arts board of directors business model change community community engagement creativity dance diversity education equity evaluation examples excellence funding fundraising future governance gradualism implementation inclusion instrumental international Intrinsic mainstreaming management marketing mission museums music participation partnership programming public good public policy relationships research Robert E. Gard Foundation simplicity structure terminology theatre
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in