• Home
  • About
    • Engaging Matters
    • Doug Borwick
    • Backstory-Ground Rules
    • Contact
  • Resources
    • Building Communities, Not Audiences
    • Engage Now! A Guide to Making the Arts Indispensable
  • EM’s List
  • AJBlogs
  • ArtsJournal

Engaging Matters

Doug Borwick on vibrant arts and communities

A 21st-Century Commons

September 16, 2015 by Doug Borwick

SantaFePlazaIn June I was asked to speak to representatives of New Mexico’s Arts and Cultural Districts. The occasion provided me the opportunity to reflect on the intersection of creative placemaking and community engagement. Creative placemaking is designed, among other things, to bring “diverse people together to celebrate, inspire, and be inspired.” [Ann Markusen and Anne Gadwa, Creative Placemaking: http://arts.gov/sites/default/files/CreativePlacemaking-Paper.pdf] If arts organizations are participating in CP work, this is a description of community engagement.

The presentation I gave in New Mexico reflected a revelation on my part about creative placemaking. These projects, that are becoming such an important part of the cultural landscape, have the capacity to create 21st-Century versions of the town square or plaza, the commons from earlier eras–places where people gathered to celebrate and be in community.

The full text of those remarks was very specific to New Mexico. I have created a condensed and generalized version that is available on the ArtsEngaged website: Creating the 21st-Century Commons. Even it, however, is too verbose for the purposes of a blog post. I am providing below a “Cliff’s Notes” outline of the main points.

What Is A Commons for the 21st Century?

A Place–a physical location where people can come together,

  • Attractive/Inviting
  • Appropriate (Scale, appearance, environmental fit)
  • Memorable

An Idea–a concept or set of concepts that makes the community assume–even demand–ownership of that place,

  • Barrier Free (No–or minimized–physical, economic, historic, or social impediments)
  • Welcoming
  • Community Defining (Including opportunities to create and build the community’s identity)

A Container of Events

  • Vibrant center where attractive things always (or with great regularity) happen
  • Crucible for Relationship Building within and between all local communities

And, from the perspective of the presenters of arts and culture,

A Cultural Commons that

  • Reflects the local community
  • Is welcoming to all.

There is a need for places for community members to come together, to interact, to learn from each other, to form social bonds. Arts organizations, partnering with community members on creative placemaking projects can have an active hand in making more livable communities. And, it’s no coincidence that doing so will also greatly enhance the visibility, stature, and, ultimately, viability of those organizations.

Engage!

Doug

Photo:Attribution Some rights reserved by puroticorico

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Related

Filed Under: Overview Tagged With: arts, community engagement, placemaking

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,552 other subscribers

About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

Share this:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Archives

Recent Comments

  • Jerry Yoshitomi on Deserving Attention: “Doug: Thank you very much for this. I am assuming that much of the local sports coverage is of high…” Mar 25, 16:28
  • Alan Harrison on Deadly Sin: II: ““Yes, but it’s Shakespeare!” is a phrase I heard for years in defending the production of the poetry from several…” Feb 17, 19:38
  • Doug Borwick on Deadly Sin: I: “Excellent question.” Feb 11, 16:08
  • Jerry Yoshitomi on Deadly Sin: I: “When I first came into the field and I met our leadership, it seemed to me that ‘arrogance’ was a…” Feb 10, 15:36
  • Doug Borwick on Cutting Back: “Thanks for the kind words. Hope you are well.” Oct 2, 06:58

Tags

arrogance artcentricity artists arts board of directors business model change community community engagement creativity dance diversity education equity evaluation examples excellence funding fundraising future governance gradualism implementation inclusion instrumental international Intrinsic mainstreaming management marketing mission museums music participation partnership programming public good public policy relationships research Robert E. Gard Foundation simplicity structure terminology theatre
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in