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Engaging Matters

Doug Borwick on vibrant arts and communities

Speak, Be Heard, Have Impact

May 27, 2015 by Doug Borwick

I know I’ve already posted a couple of times on TCG’s Arts (R)Evolution Convening, but I’ve got to circle back and mention one more takeaway for me from the event. The speaker at the closing plenary was Ethan Zuckerman, author of the book Rewired and an expert in all things technological (at least from my perspective), particularly as they relate to the basics of citizen participation in a democracy. He provided a fascinating analysis of how access to political leaders and the political process has changed over the course of U.S. history. He commented that, unlike at the birth of our country, it is now very easy for people to “speak.” (If it weren’t for blogs, I’d likely be doing something very different with my life today.) But the ease of speaking creates a cacophony that makes being “heard” far more difficult than ever before. And if it’s hard to be heard, having an impact is even more unlikely.

I’m a bit of a social history geek, especially when it comes to identifying large, long-term trends. But what convinced me that Mr. Zukerman’s speech should find its way into Engaging Matters was his final exhortation to the conference attendees. He holds that there are three principal elements that those supporting a functioning democracy must foster:

  • Help people speak
  • Help people be heard
  • Help people have an impact

While intended as advice on securing good government and delivered as admonishment about arts marketing, these three elements also have much to offer effective community engagement, at least with communities whose voices have been proscribed by society or unheard by the arts establishment. In developing relationships with new communities, it’s important to ensure that they are encouraged to voice their interests and concerns. Often their previous experience with the arts inhibits their voice. It’s then even more critical that we listen and learn from what they say. We must recognize that we may need help understanding what they are trying to tell us because we speak and think with a somewhat rarefied vocabulary. There may be need for translators. But most of all, it’s vital that we act on what we hear. Asking for “input” without ever responding to the result will quickly kill any possibility of trust. That does not mean that we implement every idea suggested or respond to every issue raised. We must, though, be willing to alter some of what we do based on what we learn in developing these relationships. If we’re not willing to do so, our efforts will be seen as hypocritical.

Engage!

Doug

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Filed Under: Principles, The Practice of Engagement Tagged With: arts, community engagement, relationships

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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