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Engaging Matters

Doug Borwick on vibrant arts and communities

Reflections on a Conference

January 7, 2015 by Doug Borwick

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In November I participated in a conference sponsored jointly by New Mexico MainStreet, the New Mexico Historic Preservation Division, and New Mexico Arts. It was a multi-disciplinary gathering to cheer my liberal arts soul. It was also–as a result, I believe–one of the most productive conferences I have attended in years. At the close, the principal presenters were asked to summarize their takeaways as a prelude to participant discussion. What follows are some of my observations, amplified and expanded by the benefit of further reflection.

It is highly unusual for professionals from community economic development, historic preservation, tourism, and the arts to come together as equal partners under a single “umbrella” to discuss their interests and points of overlap. The issues facing communities large and small are extremely complex. Interdisciplinary responses are the only ones with a reasonable chance of success, even acknowledging the “collaboration tax” associated with partnerships. (Thanks to Alan Brown of Wolf-Brown Associates for that label.) Synergy is powerful and cross-sector collaboration is the best hope for meaningful progress.

It was inspiring to discover that professionals from all these disciplines had arrived at a common realization: “It’s about people.” Historic preservationists acknowledged it’s not about buildings. Economic development pros said it’s not about monetary transactions. I said (as I always do) it’s not about art. In particular, objects or artifacts are not simply objects or artifacts. They are manifestations of a person and a people. I describe the negative impact of artcentricity–focus on art instead of on its impact upon people. Artcentricity is the objectification of cultural expression, casting it in amber, stripping it of life.

More than that, though, the recognition of difference and the importance of those differences permeated the conference. People are communities, communities are people; but neither is tabula rasa. Each has a history, traditions, and culture. Building successful creative communities begins with understanding the unique, authentic canvas and unique palette of the individuals and communities involved. There is much we don’t know that we don’t know. Cultural humility is the only reasonable response.

Ignorance of the existence, nature, or details of other cultures is not a demonstration of sophistication. Cultural myopia may not be willful but it inhibits growth. Success demands discovering, acknowledging, and addressing personal and organizational shortcomings in understanding unfamiliar ways of being.

In the context of this conference bringing together so many community oriented disciplines, arts organizations can serve a vital role as facilitators of cultural vitality. They can support the preservation and development of a community’s voice and vision and take on a critical role assisting the community in advancing its cultural self-understanding. Preservation, however, can be a trap. It is not preservation for itself that is important. The focus must be on preservation as a foundation for growth, for use, for ever-increasing relevance of cultural expression.

Authenticity with respect to the character and culture of communities was the watchword for tourism, economic development, and historic preservation. Discerning the authentic and facilitating its expression is a key function of the arts.

What may be the central manifestation of authenticity–stories–was perhaps the key theme of the conference. It began with stories; it ended with stories. Stories of the history of native peoples; of the legacies of buildings; of the adventures of outsiders coming to visit; and of the ways human beings respond (and responded) to their circumstances, environments, and relationships formed the basis of every presentation I attended. What I learned perhaps most of all is that people are their stories, living communities are their history and traditions, and cultures are the collective expressions of both. If we bear that in mind, we will be far more successful in each of the fields of endeavor represented at this conference.

I am grateful to the people and state of New Mexico for granting me the privilege of being part of this important gathering.

Engage!

Doug

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Filed Under: Overview, Principles Tagged With: artcentricity, arts, community engagement, partnership, public policy

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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