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Engaging Matters

Doug Borwick on vibrant arts and communities

Magnets and Oysters

May 21, 2014 by Doug Borwick

MagnetOyster-PearlOne issue that every arts organization seeking to engage with its communities must address is the “where” of arts activity. Our unconscious assumption is that art needs to take place in spaces specially designed for the form in question: concert halls, theaters, museums. But just as people unfamiliar with the work we present are intimidated by it, many are reticent to enter the venues to which we have grown accustomed.

Of course there are excellent reasons to design spaces for art: acoustics, sight lines, lighting. All are vital for the best possible presentation. At the same time, our dedicated edifices preclude specific possibilities. I have come to imagine two metaphors to express this. The function of a magnet is to attract things to it. That is the essence of our edifice-focused approach. Its success is directly related to the strength of the magnet. (Yep, “If we build it . . . .”) The “go out” approach–taking art to where people are–is more like seeding oysters with grains of sand. Sometimes you get a pearl. But if there is no sand, no pearl ever forms. (OK. I know this is a cheesy pair of metaphors, but they might be helpful and they may well “stick.”)

In workshops I often use the Ode to Joy “Orchestral Flash Mob” video found here: https://www.youtube.com/watch?feature=player_detailpage&v=kbJcQYVtZMo and ask participants to tell me what they see and then extrapolate lessons for the arts from what they see. It usually excites people because the responses of joy from children and adults are ends we all seek. Recently, I was particularly struck by a participant’s observation that arts organizations needed to “trust the art.” Her point was that great art can speak for itself in extraordinary settings. Certainly there are tradeoffs in degree of focus on the art possible in a public square and the level of detail that can be perceived in non-ideal settings, but at times (not all, or even most of, the time!: magnets and oysters) such options can be the beginning of deepened relationships with both individuals and communities.

Let the pearls begin.

Engage!

Doug

Magnet:  openclipart.org by  Johnny_automatic (public domain)
Oyster with pearl: Attribution Some rights reserved by Anna’s Photos

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Filed Under: Principles, The Practice of Engagement Tagged With: arts, community engagement, venues

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  1. Backstage at Utah Arts Festival 2014: Making the best community space so art fans can unite at the 38th Utah Arts Festival - says:
    June 12, 2014 at 4:05 pm

    […] the spaces of Library Square and Washington Square so that art fans can unite, the metaphors of magnets and oysters, as Doug Borwick, a long-time arts administrator explains in his Arts Journal blog Engaging […]

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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