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Engaging Matters

Doug Borwick on vibrant arts and communities

Gravity

November 25, 2013 by Doug Borwick

Gravity 3DI’m not one to spend much money when I go to the movies. I wait until they are on Netflix or go to discount matinees. I prefer the word thrifty to cheap, but if the shoe fits . . . . That’s why it was so remarkable that I chose to see Gravity (yep, George Clooney and Sandra Bullock) in IMAX 3-D. I spent three or four times what I would normally pay for a movie ticket to do so. . . . And I would do it again.

This is not a movie review (although it was, to me, a great, scary, uplifting film). What prompts me to comment on it was something I realized about the evolution of movies. From silent to “talkies,” black and white to color, who knows what all trends in sound, 3-D (in its many iterations over the decades), “big screen” innovations to IMAX to IMAX 3-D, the movie industry has leapt upon technological innovation at every moment possible. Of course, they had to to remain viable. All their competitors were doing it.

There are, for me, two principal observations about this. First, these changes are presentation changes, not content innovations, although some of them were directly tied to content. It’s not been enough for the motion picture industry to simply produce new work. With each passing decade, the new work was paired with increasingly high production values. We have certainly seen presentation changes in the arts: supertitles, sound reproduction, grand new performance/museum venues to name a few. (It is instructive, though, to note that the first two had/have fierce critics and the grand places are creating serious financial difficulties.) However, the change in the arts experience from 1913 to 2013 is minor compared with the stunning transformation of movie experience over the same period of time. I in no way suggest that all change is improvement, but the contrast is incredibly stark.

That leads to the second observation. Movies are, despite what we might wish, one element of our competition. The further “behind” we fall in the capacity to astonish, the more difficult it will be to draw people to our doors. I’m not saying therefore turn up the volume or install more glittery lights. I am pointing out that if it is getting more difficult to compete on the level of “spectacular” we will need to work differently. My prescription is, as always, to connect more deeply with the community, to be understood as increasingly meaningful by being so.

Engage!

Doug

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Filed Under: Principles Tagged With: arts, change, community engagement

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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