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Engaging Matters

Doug Borwick on vibrant arts and communities

Engaged Fundraising: I (More Pies)

April 6, 2013 by Doug Borwick

PiesThere is probably no element of the nonprofit arts management structure that better understands the importance of relationships than the development department. Fundraisers spend their life initiating, fostering, and maintaining relationships with individual donors, corporate sponsors, and foundations. Especially with respect to individual donors, they have great clarity about the fact that effective relationship building takes time, often lots of time.

(NB: As yet another reminder, in these mainstreaming engagement posts I am addressing only those individuals or organizations that want broader and deeper relationships with their communities but are uncertain how to begin or even whether it is possible to do so without completely reinventing the organization.)

No, donor solicitation is not community engagement. It is too focused on specific individuals and, in outcomes, it is too self-focused. However, it is one of my (many) continuing fantasies to have an arts organization’s individual donor experts train the rest of the staff (all of them–board members, artistic director, box office personnel, and on–in the basics of relationship building). Then, everyone would be set loose upon the public to create, over time, meaningful relationships with individuals and segments of the community. The individual donor specialists are the ones with the chops to make this work.

With that off my chest, let me return to considering the benefits to fundraising of a community engagement agenda. As I highlighted in my Farewell Rocco post, Rocco Landesman demonstrated that when engaging with community (or national) issues, the arts gain access to far more “pots o’ money” than those (few) normally devoted to arts projects. Addressing social, educational, economic (though let’s not beat that horse to death), even spiritual issues that we identify by being “in dialogue” (my ’60’s roots are showing with that phrase) with the community opens up potential funding sources that are simply untouchable otherwise. This is about “baking more pies,” not cutting the existing one into smaller and smaller pieces.

What’s not to like about this? (Other than the work relationship building takes. But then, fundraising is all about relationship building. This approach would simply build relationships with different people or groups.)

Next time, we’ll revisit some thoughts on crowdsourced fundraising.

Engage!

Doug

Photo: Some rights reserved by nfnitloop

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Filed Under: Principles, The Practice of Engagement Tagged With: arts, community engagement, fundraising, mainstreaming

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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