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Engaging Matters

Doug Borwick on vibrant arts and communities

R E S P E C T

February 13, 2013 by Doug Borwick

RESPECTWarning: Rant Alert!

Adam Huttler of Fractured Atlas fame recently blogged about data mining and preference discovery a la Amazon and Netflix as having important (although as yet unrealized and little examined potential for the arts). [Is House of Cards the Future of Cultural Programming?] This is vitally important territory, but as a self-acknowledged underachiever when it comes to research, I’ll let others dig into this vital work.

What grabbed my attention was Mr. Huttler’s re-articulation of a not uncommon concern expressed in discussions of reaching a broader swath of the community.

What exactly is the dividing line between respecting your audience’s taste and shameless pandering?

Mr. Huttler was not claiming this as an insolvable conundrum. Indeed, he said, “I’m certain we can pivot towards greater respect for our audience’s taste preferences without compromising our artistic integrity.” He is also on record as being something of a populist (by which I mean respecting the public–more on that in a second) when it comes to arts programming,  He quotes himself from an earlier interview as saying: “[T]he tension between aesthetic integrity and popular appeal is overblown. All too often this ostensibly irreconcilable conflict serves as a convenient excuse for vapid artistic pretension, incompetent marketing, or both. Shakespeare was the most popular playwright of his day, and he sold a lot of tickets.”

But the question posed provides me opportunity to address two concerns I have. One is the “artcentric” nature of the question. For the purpose of argument, let me reframe the question from what might be the point of view of a “panderee.”

What exactly is the dividing line between respecting your community and self-centered artistic arrogance?

Framed thus, it’s possible to see how the first question paves the way for “artistic pretension” and/or “incompetent marketing.” And, while the second may read as in-your-face outrageous by arts insiders, how is the former any less in-your-face outrageous to the community?

That’s the core concern I have with the issue Mr. Huttler rightly describes as a false dichotomy. And it is a vital one. If we don’t respect the people we are attempting to reach, we will have a hard time building a relationship with them. Successful relationships need to be built on a mutuality of respect.

The other concern I have with the question gets a little deeper into the respect issue. I’m not sure it’s necessary to respect your audience’s taste, at least not the way it’s implied by those who pointedly ask such a question. By that I mean I don’t think it’s necessary to “give them what they want.” Prior to the iPod and iPhones, who knew we all needed palm-sized juke boxes and computer/phones? Apple didn’t give us things we asked for. It gave us things we would come to want (and OK, now “need”) and it made them with style. The company considered the way people used and responded to entertainment and data and created things that would meet the needs, not necessarily the current wants. However, the rubric for success (the outcomes assessment) is that upon understanding what these things were, people developed incredible “wants.” The fact that Apple became the biggest company in the world is a fairly self-evident demonstration! If no one (or very, very few) had bought the products, their assessment of the need would have been proven to be wrong.

The key is to respect people. Giving people what they need rather than what they want is a form of deep respect, if that is indeed what we are doing. If we are simply giving them what we want to give, that is profound disrespect. In order to distinguish the difference, we need to reframe our own perspective and get to know “them.”

Engage!

Doug

Photo: AttributionNoncommercialNo Derivative Works Some rights reserved by Tjololo Photo

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Filed Under: Principles Tagged With: arts, community engagement, mainstreaming, partnership, public good, relationships

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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