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Engaging Matters

Doug Borwick on vibrant arts and communities

EM’s List: Museum of Contemporary Art-Chicago

April 18, 2012 by Doug Borwick

EM’s List Member
A Community Engagement Residency
[This post is by EM’s List Editor/Curator, Stephanie Moore]

The mission of the Museum of Contemporary Art (MCA) Chicago positions it as an innovative and compelling contemporary art center where diverse audiences can experience works and ideas of contemporary artists as well as understand the context in which the art was made. This includes creating a space for open discussion and contemplation about contemporary art and culture while creating a sense of community among diverse constituents. In 2010, MCA initiated a creative residency, The Mark Bradford Project (TMBP), focused on community engagement prior to the major solo exhibition of works by Mark Bradford, MacArthur Fellow and LA-based contemporary artist,. Bradford’s interest in connecting with different types of people and observing the impact his works have on public and private spaces parallels MCA’s current focus on audience engagement. This residency was created based on Bradford’s interest in community engagement. TMBP was designed side-by-side with the artist, community partners, and museum leaders with the specific intent of connecting the museum with Chicago residents.

During this yearlong residency, Bradford encouraged discussions and community engagement projects among diverse Chicago communities. He worked closely with Chicago students at Lindblom Math and Science Academy and teens participating in the YOUmedia program at Harold Washington Library. He also led a discussion about art and community at Trinity United Church of Christ, after expressing an interest in giving a Visiting Artist talk in a nontraditional setting.

Sixteen students at Lindblom Math and Science Academy collaborated with Bradford and one another on projects reflecting the ideas of journey and reflection. Throughout the five-month collaboration, students discussed their inspiration and ideas while receiving daily critiques from one another, Bradford, and their teacher Nathan Diamond. Through video conferencing the students were able to catch a glimpse of Bradford’s open studio and of his assistants working on the day-to-day business of an artist while he critiqued the work they had been doing. The students learned to engage in positive critiques and built a new language for collaborative art-making.

YOUmedia students connected with Bradford by analyzing his work and promoting dialogue around the authorship, format, audience, and message of his works. This critical perspective helped the students understand the connection between the artist and his work. As part of this collaborative process YOUmedia students connected in person and through an online social learning network to propose projects, complete research, and critique each other’s work focused around the themes of mapping, collage, video, mixed media, and layering.

The outcome of the this residency with Lindblom Academy and YOUmedia was (Re)Connect, an exhibition which showcased the student works at the Pop-Up Art Loop Gallery. This show changed the dialogue between Bradford and the youth from production to presentation: engaging in discussions about how a viewer will interact with their works and how their works fit within the exhibition space. This experience built a collaborative spirit among the students and allowed them the opportunity to understand the business of being an artist.

The Mark Bradford Project was successful because the partners shared a willingness to work together. MCA staff, Mark Bradford, Lindblom Academy, and YOUmedia created an environment within which the residency could function. Bradford paralleled the experience with his painting technique saying that the residency was made of many little bits and without all of those bits it would fall apart. This idea is an important part of the community engagement experience. Truly involving diverse participants requires a willingness to work together and an understanding that the connections between all of the parts make it stronger.

Photo:Attribution Some rights reserved by Zepfanman.com

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Filed Under: EM's List, Examples

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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