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Archives for April 2022

This Week’s UnderTow: Why are Police Playing Disney Songs? And Why did this Orchestra Fire its Conductor for… Conducting?

April 23, 2022 by Douglas McLennan Leave a Comment

This week's podcast of The UnderTow, ArtsJournal's new weekly podcast, features three stories from the past week. Sometimes stories are not exactly about the things they seem to be about at first look. Our first story is one such. You might have seen the headline in ArtsJournal about police in California playing Disney songs while investigating calls and thought "that's odd" and passed it by. And … [Read more...]

Introducing our New Podcast: The UnderTow

April 14, 2022 by Douglas McLennan Leave a Comment

We look at a lot of stories at ArtsJournal. And we pick the 20 or so every day we think say something about where the culture is going or how it works. If you're a regular reader of ArtsJournal, you know that our interests range across the arts and the world of creativity, exploring ideas in science, technology and the world around us. One of the reasons ArtsJournal is valuable is that we … [Read more...]

Douglas McLennan

I’m the founder and editor of ArtsJournal, which was founded in September 1999 and aggregates arts and culture news from all over the internet. The site is also home to some 60 arts bloggers. I’m a … [Read More...]

About diacritical

Our culture is undergoing profound changes. Our expectations for what culture can (or should) do for us are changing. Relationships between those who make and distribute culture and those who consume it are changing. And our definitions of what artists are, how they work, and how we access them and their work are changing. So... [Read more]

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Recent Comments

  • Douglas McLennan on Inflection Point? A Crisis in Paying for Culture in the Age of Abundance: “True – but the Swiftie phenomenon demonstrates how deeply people want to engage and that they’re willing to pay dearly…” Jul 24, 21:25
  • Tom Corddry on Inflection Point? A Crisis in Paying for Culture in the Age of Abundance: “An additional data point: Taylor Swift drew 144,000+ to her two Seattle concerts, at an average ticket price of $123.…” Jul 24, 15:34
  • Steven Lavine on Inflection Point? A Crisis in Paying for Culture in the Age of Abundance: “Terrific account. Like so many of our social media Augmented crises, it’s hard to see a way forward.” Jul 24, 13:52
  • Howard Mandel on Inflection Point? A Crisis in Paying for Culture in the Age of Abundance: “At least it’s clear the “ long-tail” argument was a canard.” Jul 24, 06:10
  • Sam Hodak on Too Many Artists Or Not Enough Value?: “So what you’re telling me is… make a VR experience” May 12, 00:03
  • Mark on What If Disruption Was Just A Tech Con Game?: “Thank you” Mar 19, 13:15
  • Douglas McLennan on Still Amusing Ourselves to Death: Information as Cautionary Tale: “Hi John: Yes – remember over the last decade how Big Data was going to change everything and drive every…” Nov 26, 07:46
  • John McCann on Still Amusing Ourselves to Death: Information as Cautionary Tale: “I haven’t read this book, yet your review triggered an insight about information shared within organizations and how so much…” Nov 26, 03:57
  • Richard Voorhaar on The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?: “We have reached the point where the average American has no attention span. A 3-4 minute pop tune is all…” Jun 10, 11:22
  • Alan Harrison on The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?: “Brilliant piece, Doug. It’s why, in my own columns on LinkedIn and Medium, I may have become more strident recently…” Jun 8, 15:46

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An ArtsJournal Blog

Recent Posts

  • American Orchestras Could Learn Something from South Dakota
  • Inflection Point? A Crisis in Paying for Culture in the Age of Abundance
  • Still Amusing Ourselves to Death: Information as Cautionary Tale
  • The UnderTow: What the new Edinburgh Fringe Tells us about a Post-COVID World
  • The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?

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