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New York City Ballet Presents a New Work

February 9, 2019 by Deborah Jowitt

If Sir Isaac Newton had time-traveled from the late 17th–century England to 21st-century New York and found himself watching the New York City Ballet perform Justin Peck’s new Principia, would he have understood the ballet’s connection to his three-volume Philosophiæ Naturalis Principia Mathematica? You never know. But he might have understood bodies onstage being subject to gravitational pull and … [Read more...]

Adieu, Sylvie, et Merci

November 21, 2015 by Deborah Jowitt

Sylvie Guillem dances into retirement. Force of Nature. That’s the title of a documentary about the career of the formidable French dancer, Sylvie Guillem (https://www.youtube.com/watch?v=QmMaNQBED8Q). You can see her at 19, when she was promoted to the rank of étoile in the Paris Opera Ballet by its then director Rudolf Nureyev. She is startling as a ballerina. Although her long neck, … [Read more...]

What is it about Sunshine?

October 20, 2014 by Deborah Jowitt

The L.A. Dance Project comes to BAM with works by Justin Peck, William Forsythe, and company founder-director Benjamin Millepied. What is it about Los Angeles that attracts artists? Even before the 1940s, many European musicians and writers fleeing the Nazis zipped right through culturally confident New York and joined the émigré filmmakers who settled on the west coast. Maybe it was the … [Read more...]

Entering the Forsythean Maze

October 17, 2013 by Deborah Jowitt

William Forsythe brings his 2011 Sider to the Brooklyn Academy of Music.   When you watch a recent work by William Forsythe, you may find yourself responding to it on two levels. Sitting in the Brooklyn Academy of Music to watch his 2011 Sider (part of BAM’s 2013 Next Wave Festival), you take in what the dancers are doing (say moving large rectangles of corrugated cardboard around), … [Read more...]

East to West to East

October 29, 2012 by Deborah Jowitt

A choreographer who has just formed his own small company must be very, very brave to make Merce Cunningham’s 1964 Winterbranch the centerpiece of its debut program. Benjamin Millepied is certifiably brave. Starting a group in Los Angeles and naming it the L.A. Dance Project is already adventurous. I’m an Angeleno by birth, with the scent of eucalyptus and Pacific salt air embedded in my … [Read more...]

Wandering Down Memory Lane

October 31, 2011 by Deborah Jowitt

William Forsythe is an innovator. I doubt that fact is even up for debate among those who adore his work, those who loathe it, and those who simply scratch their heads over it. His post post-Balanchine ballets, his installations, his recent theater pieces, and his 2004 computer app, Improvisation Technologies: A Tool for the Analytical Dance Eye, have influenced choreographers, performers, … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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