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Deborah Jowitt on bodies in motion

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Tharp Times Three

June 7, 2019 by Deborah Jowitt

American Ballet Theatre's Tharp Trio at Lincoln Center, May 30-June 3 Does anyone dare to call Giselle dated?  I doubt it. It’s a centuries-old classic that’s had numerous facelifts. I don’t often wish myself back at its premiere in 1832. However, feeling a twinge of nostalgia for something in your own not-so-distant past can be enriching when contemplating it anew. I wrote my review of … [Read more...]

Moving Architecture

October 27, 2016 by Deborah Jowitt

American Ballet Theatre presents ballets by Tharp, Lang, and Millepied. Goethe once wrote this: “Music is liquid architecture; architecture is frozen music.” For Havelock Ellis—one of the writers on the arts that Martha Graham and Doris Humphrey found inspiring early in the twentieth century—dance and architecture were the sources on which the visual arts were built. Watching one of … [Read more...]

Love Finds a Way

June 3, 2016 by Deborah Jowitt

American Ballet Theatre revives its production of Frederick Ashton's La Fille mal gardée. If I had been able to write about American Ballet Theatre’s production of Frederick Ashton’s La Fille Mal Gardée before the company’s performances of it ended on May 30, I would have said, “if you’re having a bad day, go see this ballet.” So fragrant, so tender is its depiction of love, innocence, … [Read more...]

Keeping a Heritage Alive

May 16, 2015 by Deborah Jowitt

American Ballet Theatre opens its Lincoln Center season with one-act masterworks from its repertory. When watching the classics of 19th-century and early 20th-century ballet, it’s wise not to ask too many questions. When enjoying Michel Fokine’s 1909 Les Sylphides, for instance, you’re not supposed to wonder what this lone man is doing amid all these women in long, gauzy, white tutus, two … [Read more...]

Dancing Love and Love of Dancing

May 25, 2013 by Deborah Jowitt

American Ballet Theatre’s new production of Frederick Ashton’s “A Month in the Country” on a program with Mark Morris’s “Drink To Me Only With Thine Eyes” and George Balanchine’s “Symphony in C.” Metropolitan Opera House, May 21-23. Frederick Ashton’s A Month in the Country distills the five acts of Ivan Turgenev’s eponymous play and the passage of several weeks into 40 minutes of dancing, … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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