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Deborah Jowitt on bodies in motion

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Celebrating a 40-Year Career

April 9, 2018 by Deborah Jowitt

Jane Comfort & Company Revisit Forty Years of Work In 1978, Jane Comfort and I were both forty years younger. Not a surprise? I guess not. But that sentence may prove a snappier lead than my starting off by recounting what Comfort has accomplished over those forty years and how many dances of hers I’ve seen. (See how I snuck the facts into my non-lead? Or should I spell it “lede” as did … [Read more...]

The Rise and Fall (?) of a Superhero (or Not)

November 21, 2016 by Deborah Jowitt

Faye Driscoll presents Thank You for Coming; Play at BAM Fisher. I could swear that Faye Driscoll has done something to her eyebrows. They seem to slant downward the way they would if she were an Indian dancer portraying one of the nine permanent emotions: “karuna” (compassion or “the pathetic”). Even though the guy I’m sitting next to in BAM Fisher’s front row laughs boisterously at the … [Read more...]

Moves at LaMaMa

June 3, 2015 by Deborah Jowitt

Jane Comfort and Company and Jon Kinzel present new works. Jane Comfort is a master teller of tales—not straight linear narratives, but dances that bristle with content—often social and/or political, often involving spoken text. She has always ingeniously layered and juxtaposed elements and viewpoints that might strike anyone else as incompatible and made them ignite one another. Her 1988 … [Read more...]

How Beautiful Can Age Be?

January 19, 2015 by Deborah Jowitt

Miguel Gutierrez's Age & Beauty, Parts 1 and 2, presented during American Realness 2015. I didn’t see Miguel Gutierrez’s Age & Beauty Part 1: Mid-Career Artist/Suicide Note or &:/ when it was first performed as part of the 2014 Whitney Biennial. Instead I saw it in Studio C of Gibney Dance’s Agnes Varis Performing Arts Center (the rescued and handsomely re-conceived former Dance … [Read more...]

Breaching The Fourth Wall

March 10, 2014 by Deborah Jowitt

Faye Driscoll at Danspace St. Marks and Netta Yerushalmy at the Harkness Dance Center bring spectators and performer closer together. The so-called fourth wall that separates performers from the spectators who’ve come to watch them is not always an obvious barrier like that created by a proscenium stage. Often it’s a virtual boundary that involves very little distance between the two zones. … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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