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Deborah Jowitt on bodies in motion

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Dancing as the Leaves Fall

October 15, 2015 by Deborah Jowitt

Fall for Dance returns to New York City Center for the eleventh time. Every autumn, as the leaves change color and begin to consider falling, Fall for Dance defines the verb differently: New Yorkers and savvy visitors buy bargain-price tickets and fall in love with dance—or at least with some of the twenty companies, small ensembles, pairs, and soloists who fill five mixed-bill programs at … [Read more...]

Everybody, Fall for Dance!

October 10, 2014 by Deborah Jowitt

The Fall for Dance Festival returns to New York's City Center Theater, October 8-19. It’s time to Fall for Dance again. The so-named City Center Festival now in its eleventh year continues its admirable message to expose New Yorkers and visitors to a wide range of dance companies via adroitly mixed bills. For $15 a ticket, spectators can explore territory that’s new to them. You’re a fan … [Read more...]

Fairy Tales to the Max

October 29, 2013 by Deborah Jowitt

Christopher Wheeldon's Cinderella and Matthew Bourne's Sleeping Beauty update classic scores and fairytales. When it comes to fairy tales danced out onstage, the borderline between what’s logical in magic worlds and what gives rise to questions is often blurred. The San Francisco Ballet’s production of Christopher Wheeldon’s Cinderella at Lincoln Center and the British New Adventures … [Read more...]

Good News from San Francisco

October 22, 2013 by Deborah Jowitt

The San Francisco Ballet comes to Lincoln Center with two mixed bills of ballets by seven choreographers. The artistic director of a large ballet company must have headaches rather different from those of a Wall Street trader. His (and such directors tend to be male) “stocks” are highly volatile. Helgi Tomasson, who leads the San Francisco Ballet, can make predictions about how ballets by … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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