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Bausch Reborn

September 17, 2017 by Deborah Jowitt

Tanztheater Wuppertal Pina Bausch returns to the Brooklyn Academy of Music (through September 24). Pina Bausch made a wise decision in 1984 when Tanztheater Wuppertal— the company she headed in that park-studded, industrial German city—made its New York debut at the Brooklyn Academy of Music: she introduced us to her stylistic preoccupations gradually. Between graduating from the … [Read more...]

Documenting Dance, Part 2

February 9, 2014 by Deborah Jowitt

The Dance on Camera Festival 2014 presents Chantal Akerman's film about Tanztheater Wuppertal and Fabrice Herrault's about Rudolf Nureyev. Chantal Akerman’s One Day Pina Asked. . . (1985, in French with subtitles), was advertised by the Dance on Camera Festival as a “rare retrospective showing.” It was shot during a five-week tour by Pina Bausch’s Tanztheater Wuppertal.  What the fine … [Read more...]

Pina Bausch Returns to Juilliard

December 19, 2013 by Deborah Jowitt

Juilliard students appear in premieres by Takehiro Ueyama, Brian Brooks, and Darrell Grand Moultrie, plus a reconstruction of a work by Pina Bausch. Every winter, the Juilliard School presents its dance students in four new works. All its dance students.  Although—since some pieces are double cast—you might have to attend two performances to see every single talented dancer on stage. This … [Read more...]

Forever Pina

October 21, 2012 by Deborah Jowitt

Pina Bausch’s last work, created in the six months before her death in June 2009, takes its title from a line in a song by the Chilean singer Violeta Parra, who committed suicide in 1967. The dance is called . . .como el mosguito en la piedra ay si, si, si. . . . , and the name of the song is Volver a los 17. What is it that makes us feel 17 again?  In the end the song’s refrain, with its … [Read more...]

A Single Dance in Four Chapters

July 1, 2012 by Deborah Jowitt

Shantala Shivalingappa has always been an artistic voyager. Trained in India’s classical Kuchipudi style (first by her mother, Savitry Nair, then by Vempati Chinna Satyam), she danced with an unbridled white horse in Bartabas’s equine spectacle Chimère. She played Ophelia in Peter Brooks’s production of Shakespeare’s Hamlet and Miranda in his The Tempest. She has performed with Pina Bausch’s … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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