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New York City Ballet premieres a New Ratmansky Work

May 10, 2017 by Deborah Jowitt

New York City Ballet’s 2017 Spring Gala is a testament to the acumen of the company’s supporters. Beautifully dressed people are provided with champagne in advance of the performance and dinner after it, but no speeches this time, no films, and no intermissions. And after those assembled have watched Peter Martins’ Jeu de Cartes, the pas de deux from Christopher Wheeldon’s After the Rain, and … [Read more...]

Dancers on the Rampage

January 31, 2017 by Deborah Jowitt

New York City Ballet premieres new works by Justin Peck and Pontus Lidberg. When a dance really fascinates me, I wish either that I could immediately see it all over again or that I could be instantly at home, hugging it to myself and processing my memories. Justin Peck’s new The Times Are Racing for the New York City Ballet made me feel this way. It’s set to Dan Deacon’s vivid, changeable, … [Read more...]

They Could Have Danced All Night

September 24, 2016 by Deborah Jowitt

New York City Ballet opens its fall season  (September 20 to October 16) with four new ballets. The New York City Ballet’s gala performances are intriguing phenomena—so many gowns trailing hazardous trains during the pre-performance cocktail party on the second floor promenade, so many tiny, slightly slippery hors d’oeuvres, and at the same time such pride and good spirits among those … [Read more...]

They Could Have Danced All Night

October 3, 2015 by Deborah Jowitt

New York City Ballet presents its 2015 fall gala, "From the Runway to the Stage." For the fourth year in a row, the New York City Ballet has devoted its fall gala to fashion, a custom started by the vice-chairman of the NYCB board, Sarah Jessica Parker. Pairing celebrated couturiers with choreographers is a scheme that lures audiences with money to spend, as well as gowns to wear to the … [Read more...]

From Denmark to New York

May 14, 2015 by Deborah Jowitt

The New York City Ballet presents an evening of ballets by August Bournonville. In 1930, the year following the death of Serge Diaghilev and the dissolution of his company, Les Ballets Russes, its dancers and choreographers roamed Europe in search of jobs. After a stint in London, George Balanchine found work in Copenhagen as a guest choreographer for the Royal Danish Ballet, where he set … [Read more...]

Two by Two by Two

September 26, 2014 by Deborah Jowitt

Three New Ballets premiere at the New York City Ballet's Gala on September 23, 2014 Fashions change more rapidly than dance styles do, so for the New York City Ballet to structure its Fall gala around the theme of “what’s new?” makes a certain marketing sense. The aura of novelty cloaks all. And the green leaves bedecking the balcony overlooking the Lincoln Center Plaza suggested springtime … [Read more...]

All American

May 11, 2013 by Deborah Jowitt

New York City Ballet, Lincoln Center, April 30 through June 9 In the Spring of 1988, the New York City Ballet put on an American Music Festival. George Balanchine had been dead for five years, and the two Ballet Masters in Chief, Peter Martins and Jerome Robbins, commissioned enough new ballets to keep dancers, guest choreographers, and resident choreographers rushing in and out of the … [Read more...]

At Sea

September 25, 2011 by Deborah Jowitt

Here’s a fairy tale for 2011. Once upon a time, a very important knight—one of the great musicians of the late 20thcentury—joined forces with an adept ruler-choreographer (also a knight) who had inherited a powerful kingdom of dance. They set out together on a quest to find the true grail—a beautiful ballet that would further ennoble them both and maybe even bring in money. As far as we know, they … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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