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Intimations of the Unseen Haunt the Seen

December 9, 2015 by Deborah Jowitt

Pavel Zuštiak & Palissimo Company at New York Live Arts. It’s very dark down here. This is not how we’re used to entering New York Live Arts’ black-box theater: down the stairs, walking along a narrow corridor at the edge of the performing area. There are a couple of people with flashlights, but they don’t fully light the way. Is this a birth canal of sorts? And into what? The … [Read more...]

Three Men, Their World

October 15, 2013 by Deborah Jowitt

Cloud Gate 2 presents On the Road for an all-male trio. Three men from Pavel Zuštiak/Palissimo Company perform Endangered Pieces. Three men in a tub. Three Musketeers; The Three Stooges; Chico, Harpo, and Groucho Marx; the three sailors in Jerome Robbins’s Fancy Free. What can they not get up to in the way of adventure, comradeship, and rivalry? A while back, Cheng Tsun-lung, the associate … [Read more...]

Perilous Journey, Landscape Unknown

July 3, 2013 by Deborah Jowitt

"The Painted Bird," a trilogy by Pavel Zuštiak + Palissimo Company, at LaMama Moves! Dance Festival, June 21-30, 2013 Pavel Zuštiak’s The Painted Bird trilogy draws its themes from Jerzy Kosiňski’s much debated novel of that title. Images of flight, concealment, disguise, isolation, displacement, and the vagaries of memory pervade all three parts of this extraordinary work. What does the … [Read more...]

Hiding in Plain Sight, Becoming the Other

May 12, 2012 by Deborah Jowitt

In November, 2010, I saw Bastard, the first part of Pavel Zustiak’s extraordinary trilogy, The Painted Bird, inspired by Jerzy Kozinski’s novel of that name.  In June, 2011, I saw the second installment, Amidst. From May 3 through 13, 2012, Zustiak’s group, Palissimo, is performing the final work, Strange Cargo. The novel’s passage over time and distances, as well as its themes of displacement, … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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