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The Old and the New Dancing Together

March 28, 2016 by Deborah Jowitt

Paul Taylor's American Modern Dance continues its Lincoln Center run through April 3. In a program essay by Susan Yung for the Paul Taylor’s American Modern Dance season (through April 3), guest choreographer Doug Elkins mentions that Taylor’s Esplanade was the first dance he ever saw on PBS’s “Dance in America” and acknowledges its influence on him. Not that you’d guess it at the opening … [Read more...]

Paul Taylor’s Dancers on an Adventure

March 19, 2016 by Deborah Jowitt

Paul Taylor's American Modern Dance presents it New York season, March 15-April 3. Last year inaugurated the transformation of the Paul Taylor Dance Company into Paul Taylor’s American Modern Dance. During that season, Shen Wei’s Rite was performed by his own company, and the José Limón company danced Doris Humphrey’s Passacaglia and Fugue in C minor. During the company’s current two-week … [Read more...]

Opening the Door, Inviting Visitors In

March 31, 2015 by Deborah Jowitt

Paul Taylor's American Modern Dance Lincoln Center season invites other companies to share programs with Taylor's works. Beginning in the late 1920s, American choreographers, especially those pioneering what came to be called modern dance, built companies around themselves that featured their own works only. In the past decade and this one, we have seen a variety of ways in which … [Read more...]

Paul’s Worlds

March 15, 2015 by Deborah Jowitt

Paul Taylor's American Modern Dance is inaugurated at Lincoln Center (March 11-29). Programming Paul Taylor’s new-to-New-York Sea Lark between his profoundly beautiful Arden Court (1981) and the equally gorgeous Esplanade (1975) during the Taylor company’s Lincoln Center season seems hardly fair to a piece that has little more in mind than a beach romp. You almost want to inquire, “Who let … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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