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Dmitri and Alexei, Heart to Heart

June 3, 2013 by Deborah Jowitt

American Ballet Theatre presents a trilogy of ballets by Alexei Ratmansky to Shostkovich's music. When American Ballet Theatre premiered Alexei Ratmansky’s Symphony #9 last October, it was understood that this was to be the first in a trilogy of ballets set to music by Ratmansky’s fellow Russian, Dmitri Shostakovich. That trilogy made its debut with four performances during the company’s … [Read more...]

Dancing Love and Love of Dancing

May 25, 2013 by Deborah Jowitt

American Ballet Theatre’s new production of Frederick Ashton’s “A Month in the Country” on a program with Mark Morris’s “Drink To Me Only With Thine Eyes” and George Balanchine’s “Symphony in C.” Metropolitan Opera House, May 21-23. Frederick Ashton’s A Month in the Country distills the five acts of Ivan Turgenev’s eponymous play and the passage of several weeks into 40 minutes of dancing, … [Read more...]

Flaming Magic and Goofy Girls

June 14, 2012 by Deborah Jowitt

One of the most surprising things about American Ballet Theatre’s new Firebird is how Russian it isn’t. When Serge Diaghilev commissioned 27-year-old Igor Stravinsky to write his first ballet score, one of the impresario’s continuing aims was to acquaint Paris with Russian music and culture. L’Oiseau de Feu premiered in 1910 with a wandering Tsarevitch as its hero and a magic bird as its … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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