Jane Comfort and Company premieres You Are Here at The Kitchen Jane Comfort has a formidable history as one who attacks with an intellectual cleaver subjects that most choreographers avoid: government policies, sanctioned torture, public apathy, gender stereotypes, beauty contests, talent shows. She deconstructed Shakespeare (Cliff Notes Macbeth, 1980) and Tennessee Williams (Faith Healing, … [Read more...]
Redefining Wilderness in Music and Dance
Choreographer Brian Brooks and composer Jerome Begin collaborate at The Kitchen. I don’t know why Brian Brooks titled his fascinating new work Wilderness, since the word conveys that there’s no man-made order involved, while his “wilderness” is precisely structured with a considerable amount of over-and-over repetition by eight black-clad dancers (costumes by Karen Young). On a white floor, … [Read more...]
Stories Only Dance Can Tell
Juliette Mapp and Beth Gill present brave new works in New York. Once in a while you go to a dance performance and think you’re in a mysterious world, whose inhabitants are familiar to you. . .and yet. . .not. You think about them, ask yourself questions. Then you try to stop asking questions and just watch what they’re doing. That’s how I felt during two recent, deeply absorbing works: … [Read more...]
Intimations of the Unseen Haunt the Seen
Pavel Zuštiak & Palissimo Company at New York Live Arts. It’s very dark down here. This is not how we’re used to entering New York Live Arts’ black-box theater: down the stairs, walking along a narrow corridor at the edge of the performing area. There are a couple of people with flashlights, but they don’t fully light the way. Is this a birth canal of sorts? And into what? The … [Read more...]
Moves at LaMaMa
Jane Comfort and Company and Jon Kinzel present new works. Jane Comfort is a master teller of tales—not straight linear narratives, but dances that bristle with content—often social and/or political, often involving spoken text. She has always ingeniously layered and juxtaposed elements and viewpoints that might strike anyone else as incompatible and made them ignite one another. Her 1988 … [Read more...]
What Do You Mean By “Meaning?”
Neil Greenberg premieres This at New York Live Arts. Choreographer Neil Greenberg doesn’t like the word “about,” as in, “What is this dance about?” Having been a member of Merce Cunningham’s company between 1979 and 1986 and having read Susan Sontag’s influential 1966 Against Interpretation, he would prefer we not scramble to uncover “meaning” while watching what he puts onstage. The title … [Read more...]
Quiet Flowering
Jodi Melnick presents a trio, Moment Marigold, at BAM Fisher. When is a theme not a theme? When is a person not a persona? Jodi Melnick raises these questions in a brief program essay about her new Moment Marigold. She also noted that she begins the choreographic process by working in a studio by herself, letting movement ideas emerge. Creating this work, which premiered at BAM Fisher, she … [Read more...]
How Many Make a Solo?
Luciana Achugar and Amanda Loulaki present new solos in New York. When is a solo not a solo? Or perhaps the question might be this: Is a solo ever a solo—given that anywhere from two people to an audience of hundreds might be watching a supposedly solitary performer having a private experience? Luciana Achugar’s new Otro Teatro was advertised as a solo, but, in fact, it was a solo with a … [Read more...]
Fire Burning at Both Ends
Donna Uchizono Company premieres Fire Underground at New York Live Arts. The title of Donna Uchizono’s harrowing new work is Fire Underground. The words evoke flames smoldering, unable to break through. Fire under the skin. Fire heating up the brain. Anger that has to be restrained. Uchizono makes no secret of the dance’s source. She spent twelve years adopting a child in Nepal and … [Read more...]
Life as Disorder, Order as Life
David Dorfman and Brian Brooks present new works in two of BAM's theaters. Choreographer David Dorfman wears his heart on his sleeve. As his newest work Come, and Back Again shows, it’s a very big heart and an imaginatively tailored sleeve. His past works have tackled political, historical, and social topics, but always in warmly personal ways. He’s not shy about friendship as a topic … [Read more...]