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Deborah Jowitt on bodies in motion

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Circles of Life

May 14, 2017 by Deborah Jowitt

Tamar Rogoff's Grand Rounds at La MaMa, April 27 through May 14. Choreographer Tamar Rogoff grew up in the 1950s reading Helen Wells’ mystery novels about a nurse named Cherry Ames, who’d risk the wrath of the doctors she served by resourcefully breaking the rules in order to save a patient’s life, if no one else was around. From Cherry Ames, Student Nurse (1943), Nurse Ames went on being … [Read more...]

Meetings Across Space and Time

February 12, 2017 by Deborah Jowitt

Douglas Dunn + Dancers' Antipodes comes to roost in Danspace St. Mark's. If Douglas Dunn could see himself from behind, would his mind flip as well? This is not the kind of question most choreographers ask themselves. He does. Nor might many be tempted to name a dance of theirs Antipodes and then consider the many ways in which that term can be defined—say, as opposites, congenial or in … [Read more...]

Ice Floes Meet and Part

April 2, 2015 by Deborah Jowitt

The Liz Gerring Dance Company brings her Glacier to the Joyce Theater. Liz Gerring graciously titles her Glacier after the piece of music by Michael J. Schumacher to which it’s set. His score for guitar, piano, harp, cello, clarinet also contains recordings he made near Glacier Lake in Colorado, and it is these sounds that are prominent during the beginning of the dance: a rattle of little … [Read more...]

Nothing To Be Ashamed Of

February 16, 2015 by Deborah Jowitt

Douglas Dunn + Dancers premiere Aidos at BAM Fisher. Aidos seems to have been a goddess slightly confused about her own identity. No wonder she is said to be the last of the Greek gods to leave earth after the Golden Age. The Random House Dictionary of the English Language calls her “the personification of conscience,” but she is also seen as representing shame and modesty. I see a … [Read more...]

Looking Back, Dancing Now

January 30, 2014 by Deborah Jowitt

Montclair State University’s Peak Performances hosts Douglas Dunn’s Aubade, January 24-February 1. Between the last moments of Douglas Dunn’s new Aubade and the swell of applause, the woman sitting next to me in Montclair State University’s Alexander Kasser Theater turned and said, “It’s so sad!”  And yes it was, and no it wasn’t. As Dunn remarked in an interview, an aubade is a song to the … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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