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Deborah Jowitt on bodies in motion

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When the Last is not the Last

February 5, 2017 by Deborah Jowitt

Batsheva Dance Company, live and on film, performs in New York. The Brooklyn Academy of Music’s Howard Gilman Opera House is packed —the orchestra, the first balcony, the second balcony, all. The curtain rises, and thousands of eyes converge on a single person moving through time, frozen in space. On top of a slightly raised platform that crosses the back of the stage, a woman is running on … [Read more...]

Caution! Dancers Prowling

August 23, 2014 by Deborah Jowitt

LeeSaar The Company brings its latest work to Jacob's Pillow, August 20 through 24 I have to believe that titles matter to Lee Scher and Saar Harari, the artistic directors of LeeSaar The Company. Their latest extraordinary piece of choreography is called Grass and Jackals. So I open my mind to tall grass that bends in the wind, lies flat under a hard rain, and can be a good hiding place. … [Read more...]

Creatures Under the Skin

April 17, 2014 by Deborah Jowitt

The seven dancers of LeeSaar The Company perform Princess Crocodile at the Baryshnikov Arts Center. Lee Scher and Saar Harari call their latest work for LeeSaar The Company Princess Crocodile, but that doesn’t mean we should expect to see a story about a crocodile who ruled the swamp or ate a princess or became one. These Israeli artists who’ve lived and worked in the U.S. for ten years now … [Read more...]

Deconstructing Fame

April 1, 2012 by Deborah Jowitt

You wouldn’t expect LeeSaar The Company’s new piece, Fame, to re-create the eyes-on-stardom world of the two movies and the television show that bear that name. Teenagers in New York’s High School of Performing Arts striving, bitching, and shining their way to success and successful hookups?  No. The fascinating Fame choreographed by Lee Scher and Saar Harari—and premiered by Peak Performances at … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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