The Sarasota Ballet presents an all-Ashton program at the Joyce Theater. I have long been enamored of Frederick Aston’s ballets—narrative ones, such as La Fille mal gardée, Cinderella, and The Dream; abstract ones, such as Monotones; and thoroughly unusual ones, such as A Wedding Bouquet and Enigma Variations. There’s something sweet-tempered about all of them. Who but Ashton would make one … [Read more...]
Love Finds a Way
American Ballet Theatre revives its production of Frederick Ashton's La Fille mal gardée. If I had been able to write about American Ballet Theatre’s production of Frederick Ashton’s La Fille Mal Gardée before the company’s performances of it ended on May 30, I would have said, “if you’re having a bad day, go see this ballet.” So fragrant, so tender is its depiction of love, innocence, … [Read more...]
Perspectives on Classicism
American Ballet Theatre opens it Lincoln Center season with ballets by Morris, Ashton, and Tharp Ask a choreographer bred in modern dance to create a ballet for an esteemed classical company, and what ensues? If the choreographer in question is Mark Morris or Twyla Tharp, the resultant work often both honors tradition and knocks it around a little. This seemed true at American Ballet … [Read more...]
From Florida with Skill and Devotion
The Sarasota Ballet brings Ashton classics and 21st-century ballets to Jacob's Pillow. With art and culture kiting around in cyberspace and responding instantly to our keyboard-trained fingers, we are constantly jumping over boundaries. Crossing them in real time with tangible objects is another matter. Who would have imagined that The Sarasota Ballet would become a treasure house of over … [Read more...]
Wandering Ballet Forests of Love and Death
England's Royal Ballet performs in New York June 23-28. Felix Mendelssohn wasn’t yet eighteen when he wrote his Overture to Shakespeare’s A Midsummer Night’s Dream. He’d only just read the play that year (1826) in German translation; it must have excited him mightily. He was over thirty when he combined the overture with incidental music to accompany a performance of Shakespeare’s … [Read more...]
Chamber Ballet in a Church
New York Theatre Ballet presents classics and new works at St. Mark's. A year ago, New York Theatre Ballet was forced out of its longtime home in the Murray Hill neighborhood, and founder-director Diana Byer was distraught (do I need to discuss the insane prices in Manhattan real estate?). The outcome was a happy one; the company has relocated its studio to the second floor space in St. … [Read more...]
From Ashes to True Love
American Ballet Theatre mounts Frederick Ashton's Cinderella during its spring season. It’s rare that a dance review starts out with praise for a company’s artistic director, but I need to congratulate Kevin McKenzie. In the last two decades, “his” company, American Ballet Theatre, has commissioned two new ballets based on the tale of Cinderella. (McKenzie himself danced in Mikhail … [Read more...]
Astray in Summer Dreams
If you can’t see a production of Shakespeare’s play A Midsummer Night’s Dream in a woodland setting during a long June twilight, as I once did, you can be enthralled by a different sort of magic conjured up by the Bard’s plot. George Balanchine’s 1962 ballet of the same name ended its week in the New York City Ballet’s season before American Ballet Theatre hit the solstice dead on with Frederick … [Read more...]