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City Flock

October 1, 2016 by Deborah Jowitt

Jennifer Monson/iLAND performs in tow in St. Mark's Church. Improvised dance performances, however they are structured, have something in common. Performers keep a sharp eye out for one another, whether they’re moved to join a comrade, pursue a solitary investigation, instigate a change, or draw on some prearranged material. Sitting in St. Mark’s Church watching Danspace Project’s … [Read more...]

Diary of an Image

June 15, 2014 by Deborah Jowitt

DD Dorvillier adds a new work to her month-long reassessment of her history in dance. DD Dorvillier always seems, in her choreographic projects, to be testing something. Perhaps it’s the audience’s perception of dance, or her own. She probes into the interactions of light and darkness, into the effect of space on sound vibrations, into the interference of objects on live dancers, and more. … [Read more...]

Please Do It Again

May 28, 2014 by Deborah Jowitt

DD Dorvillier draws fragments from past works, strips them down, and re-situates them. On the wooden floor of St. Mark’s Church close to the 10th Street end of the space, a man and a woman sit close together, facing each other (right leg bent in front, left leg bent behind), They’re both wearing plain gray tee-shirts and shorts. It’s noon on the first Wednesday of DD Dorvillier’s reframed … [Read more...]

Deconstructing Beethoven

September 29, 2012 by Deborah Jowitt

DD Dorvillier’s dances seem to be built upon propositions (What if I limited my self to this? What if I examined an idea through an unusual lens?). Usually she imbues her works with wit and an offbeat theatricality that together play against the limits of the choreographic structure. Translation is a theme that runs through her recent works. In her No Change or “freedom is a psycho-kinetic skill” … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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