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Deborah Jowitt on bodies in motion

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What Stands May Fall

August 7, 2019 by Deborah Jowitt

I didn’t read Maura Keefe’s  program essay while sitting in Jacob’s Pillow’s Doris Duke Theater, waiting for the day  to start. I didn’t read the program note by the versatile and highly regarded cellist Maya Beiser. I didn’t read the spoken text that was part of David Lang’s score. And, once the piece began, I didn’t identify one of the projected slides as showing Santiago Calatrava’s … [Read more...]

Four Companies, Six Dances

June 24, 2017 by Deborah Jowitt

Karole Armitage, Jaqulyn Buglisi, Elisa Monte, and Jennifer Muller join forces. As the intermission is winding down, and enthusiastic spectators have resumed their seats, the five choreographers presenting works this June evening walk onto the New Live Arts stage and introduce themselves to us: Karole Armitage, Jaqulyn Buglisi, Elisa Monte, Jennifer Muller, and Tiffany Rea-Fisher … [Read more...]

Mysterious Beauty

September 29, 2016 by Deborah Jowitt

Pam Tanowitz Dance kicks off "NY Quadrille," a two-week season masterminded by Lar Lubovitch. Over the years, dance has acquired a reputation for mysteriousness. This vexes many people, enchants others, and confuses others still more. After seeing Pam Tanowitz’s Sequenzas in Quadrilles at the Joyce Theater, I walked along the sidewalk a bit ahead of two women who were energetically … [Read more...]

Dissecting Pop Culture

November 30, 2013 by Deborah Jowitt

Susan Marshall & Company turn music videos inside out in Play/Pause Did it begin with the advent of the remote? Mute the commercial from the comfort of your easy chair. Push the buttons; surely there’s something on another channel that’s better than the something you’re watching. Fast forward through a video. Oops, did the cat knock something over? Press pause. Bored during intermission … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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