James Klosty’s Merce Cunningham Redux is a big book in several ways (try lugging it to a sunny spot; it weighs about six pounds). Published late in 2019 by Brooklyn’s powerHouse Books and selling for $75, it first came into the world as Merce Cunningham in 1975 (Saturday Review Press) and reappeared in paperback with a new introduction in 1986 (Limelight Editions). In those earlier decades … [Read more...]
Cunningham Redivivus
Compagnie CNDC Angers - Robert Swinston bring three dances by Merce Cunningham to New York. Merce Cunningham didn’t want us to try to find stories in his dances. We obeyed. But dance can hint at the essential stories that lie deep under narratives that deal with, say, characters falling in love with the wrong person or being transformed into swans. Cunningham presented us with quiet … [Read more...]
Re Winterbranch: The Comment That Grew
If you happened to read “East to West to East,” my Arts Journal response to Benjamin Millepied’s new company, L.A. Dance Project, soon after I posted it on October 29 (which was shortly before I lost power and connectivity), you will find some small but crucial changes in the early November updates. They occur in my passage about the lighting for the group’s staging of Merce Cunningham’s 1964 … [Read more...]
Walking With Merce
So long, Roaratorio. Goodbye, Biped. Farewell, Second Hand. And Pond Way, Split Sides, Rainforest, it’s been great to know you. Pardon the tears. New Yorkers may see scraps from these works in the Merce Cunningham Dance Company’s Events at the Park Avenue Armory on the last days of 2011. Then silence and stillness. Or, as Cunningham’s longtime collaborator, composer John Cage, might remind us, a … [Read more...]