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Dancing Alone and Together

July 30, 2016 by Deborah Jowitt

Wendy Whelan, Brian Brooks, and Brooklyn Rider at Jacob's Pillow, July 7-31   “Adventuress” isn’t a word I’d use to describe the marvelous dancer Wendy Whelan. Not because it’s a politically incorrect term in today’s porous and egalitarian vision of gender, but because it conjures up a glamorous, unprincipled woman using her charms in order to fleece men of their money or marry them. No, … [Read more...]

Redefining Wilderness in Music and Dance

June 14, 2016 by Deborah Jowitt

Choreographer Brian Brooks and composer Jerome Begin collaborate at The Kitchen. I don’t know why Brian Brooks titled his fascinating new work Wilderness, since the word conveys that there’s no man-made order involved, while his “wilderness” is precisely structured with a considerable amount of over-and-over repetition by eight black-clad dancers (costumes by Karen Young). On a white floor, … [Read more...]

The Beautiful Complications of Simplicity

June 6, 2015 by Deborah Jowitt

Brian Brooks Moving Company brings new and old works to the Joyce Theater If I were asked to put choreographer Brian Brooks into a category, I’d have to coin a term: maximinimalist. His works are economical in terms of material and/or structure, but enriched into expressiveness by the ways in which he builds them. Take his 2010 Motor, which made an unexpected appearance on Brian Brooks … [Read more...]

Pina Bausch Returns to Juilliard

December 19, 2013 by Deborah Jowitt

Juilliard students appear in premieres by Takehiro Ueyama, Brian Brooks, and Darrell Grand Moultrie, plus a reconstruction of a work by Pina Bausch. Every winter, the Juilliard School presents its dance students in four new works. All its dance students.  Although—since some pieces are double cast—you might have to attend two performances to see every single talented dancer on stage. This … [Read more...]

Life as Disorder, Order as Life

November 1, 2013 by Deborah Jowitt

David Dorfman and Brian Brooks present new works in two of BAM's theaters. Choreographer David Dorfman wears his heart on his sleeve. As his newest work Come, and Back Again shows, it’s a very big heart and an imaginatively tailored sleeve. His past works have tackled political, historical, and social topics, but always in warmly personal ways. He’s not shy about friendship as a topic … [Read more...]

Restless Creature

August 16, 2013 by Deborah Jowitt

Wendy Whelan’s “Restless Creature,” duets choreographed by Kyle Abraham, Joshua Beamish, Brian Brooks, and Alejandro Cerrudo. At Jacob’s Pillow, August 14-17. Ballet dancers tend to have short careers onstage. If they retire at around 36 (as they often do), they’ve spent as many years training to dance as they have performing. Some stay in the field as teachers, choreographers, and company … [Read more...]

Again and Again, Never the Same

July 15, 2013 by Deborah Jowitt

Brian Brooks Moving Company performs at Jacob’s Pillow, Becket, Massachusetts, July 10-14. A machine repeats its patterned moves over and over; nothing changes unless one of its parts breaks or something gets caught in the works. Human beings may repeat the same movement many times, but to use the word “same” is simply a verbal convenience. Without meaning to, they may emphasize aspects of … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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