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From Chicago to Massachusetts

July 19, 2016 by Deborah Jowitt

Hubbard Street Dance Chicago appears at the Jacob's Pillow Dance Festival. I first saw Crystal Pite’s choreography by in 2008, when Cedar Lake Contemporary Ballet (sadly defunct) commissioned her Ten Duets on a Theme of Struggle (performed in rotation by five dancers). The most recent Pite work I wrote about was her 2015 Polaris, one of four works in Sadlers Wells London’s Lincoln Center … [Read more...]

The Dancers You Need to Love

July 24, 2015 by Deborah Jowitt

Gauthier Dance//Dance Company Theaterhaus Stuttgart Comes to Jacob's Pillow. Only nine of the fourteen members of Gauthier Dance//Dance Company Theaterhaus Stuttgart were on hand when this Germany-based company made its United States debut at Jacob’s Pillow this July, and only once during its program (in Cayetano Soto’s (2014) Malasangre) did more than three people appear onstage at the … [Read more...]

Cool Breeze from the West

October 13, 2014 by Deborah Jowitt

Pacific Northewest Ballet performs works by Wheeldon, Cerrudo, and Peck in New York. There are forty-three dancers in Seattle’s Pacific Northwest Ballet. Unless I’ve miscounted, only nineteen appeared in the company’s season at the Joyce Theater, and the most people to appear in any of the three ballets shown was a dozen. Artistic director Peter Boal’s choice of works to bring to New York … [Read more...]

Restless Creature

August 16, 2013 by Deborah Jowitt

Wendy Whelan’s “Restless Creature,” duets choreographed by Kyle Abraham, Joshua Beamish, Brian Brooks, and Alejandro Cerrudo. At Jacob’s Pillow, August 14-17. Ballet dancers tend to have short careers onstage. If they retire at around 36 (as they often do), they’ve spent as many years training to dance as they have performing. Some stay in the field as teachers, choreographers, and company … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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